“Seth material” search engine (Jane Roberts)

(“A connection with mass, or a word that sounds like mas-todon.” Since mass was mentioned first, we think this refers to “en masse”, near the bottom of the object. There are also references to animals in chapter five; Jane discusses these under the chapter heading “Dream Symbols and Culture” on the object, and mentions that fire helped primitive man keep the beasts away. We thought the primitive reference might have conjured up mas-todon, and that this in turn would support Seth’s “Connection with an animal” data in the 257th session. After break Seth tells us we are right about mass, wrong about “todon.”

(“and a connection with flowers.” One of the chapter headings on the envelope object is Dream Symbols and Culture. Under this Jane discusses how we react to the symbolic meaning of objects. For an analogy here she uses flowers—Easter and lilies, for example. The analogy takes up several typewritten lines, and mentions several kinds of flowers.

(“Movement and weight.” Jane feels subjectively that this refers to the four specific dreams, furnished by four specific people, that she discusses in chapter five of her dream book. These are represented on the object itself by the chapter heading, “Recurring Dreams..?” among others. Movement is especially prominent in the dreams discussed, and in three out of the four can be violent or strong: Flying, swinging, running as fast as one can. The fourth dream concerns driving at an average rate of speed. Both movement and weight, bodily weight for instance, enter in chapter five when Jane discusses physical matter and how its attributes change according to individual perception.

(“Heat, or red.” Again, one of the chapter headings on the envelope object is Dream Symbols and Culture. Under this subject Jane discusses the symbolic and cultural meaning of fire for primitive man.

(This echoes the “Connection with an animal.” data interpreted on page 149 of the last session. Note that Seth picked up data connected with this particular chapter heading several times.

(“White. Brown.” Seth gave this in answer to my first question, concerning colors connected with the object. Jane said this refers to an experience from her own childhood, which is discussed, again, under the Dream Symbols and Culture heading on the envelope object, in chapter five. Her experience involved a pair of her mother’s brown and white spectator shoes, and was connected with her mother’s illness. It made such an impression on Jane that even now she does not wear shoes bearing this particular color combination.