“Seth material” search engine (Jane Roberts)

The words unholy alliance come to me here. A selection, or something offered from which selections may be made. A star shape. Something round, again, with spokes leading outward, but rather prominent. For us.

A connection with a high ledge shape, as one connected with a roof, or lookout from which one can look down and away.

(“A framework, that seems to be wooden, with thin lines like poles.” We believe this data is reinforced by the “high ledge shape” data given later, and that it refers to my studio, wherein the page of manuscript used as object was written. Jane uses the studio in the mornings while I am working outside. Her desk faces a row of five windows, tall and narrow, and with small panes. The studio is actually a glass-enclosed back porch, second story, converted to year-round use.

(“A star shape. Something round, again, with spokes leading outward, but rather prominent.” Jane immediately thought of this diagram when she read over Seth’s data. It is on the back of page 112 of the first draft of chapter five of the dream book. Jane believes that she quite possibly made the diagram on the same day she typed up page 80, which was used as envelope object. Page 112 was used in the final version of chapter five, fortunately, and so was not thrown away. I had not seen the diagram before. It is one Jane made to help her see clearly certain points involving the whole self, and waking and dreaming states. There was much handwritten copy beneath it. Jane located the diagram immediately after this session. She said it is the only one she made for the dream book; she has the habit of making many notes on her manuscript, but very few diagrams of this kind.

(“A connection with a high ledge shape, as one connected with a roof, or lookout from which one can look down and away.” See the interpretation of the “framework” data on page 148. As stated, the manuscript page used as object was written by Jane in the studio at the back of the apartment. The studio is a second-floor converted porch with two sides made up of five windows each. Jane sits at her desk facing the row of windows to the west; from there she has an excellent view of the backyard and the street beyond. She “looks down and away” at grass and flowers, etc., and to her left, not obstructing her view, is the porch roof of the apartment on the ground floor.