“Seth material” search engine (Jane Roberts)

Now. I do not dream of Ruburt because I do not dream at all, in the same terms that you do. I switch the focus of my attention with conscious intent, so to speak. I take all portions of myself into any particular state of consciousness, and I enter various states of consciousness somewhat in the same manner that you can move from one physical country to another.

I visit you therefore, but I do not dream of you in the way that you might think. Now Ruburt has not, in his imagination, given me a particular physical image, and dreaming at your level involves visual images. So he does not dream of me in that way.

Now. In regard to the Boston existence, we will try to add a few details. Tonight I am attempting to answer some questions, and give you some reincarnational material in which you are interested. We will do this in our own way. Oftentimes a few sentences of seemingly unrelated material will later be found to be pertinent. On other occasions the unrelated material simply allows me to slyly insert specific information without alarming Ruburt.

It is not there now, but perhaps records could prove its existence. You had some difficulty with a left eye. Ruburt is concerned lest this is distorted, because of Miss Callahan’s bad eye, but the information is quite legitimate. (Miss Callahan is an elderly spinster living in our apartment house. See Volume 1.)

Write down the word note. It is connected, the word, with Ruburt’s name in that existence, and we shall return to it.

The word I wanted in connection with Ruburt’s name was not note. It was Nostra, N-o-s-t-r-a. This was part of her name: Nostratious was the first name. Elmo—

Eight. The connection with anemia leads Ruburt to think of Helga Anderson, or a connection with artists or artwork.

(“The connection with anemia leads Ruburt to think of Helga Anderson, or a connection with artists or artwork.” Jane thinks that here Seth was trying to get her to say that an artistic endeavor, meaning the dream book, was involved with the object. Helga Anderson, a good friend, has anemia. She is the wife of Ernfred Anderson, a sculptor who was director of the art gallery where Jane worked part-time for several years. In the chapter five connected with the object, Jane uses a dream of Ernfred’s to make a certain point.