“Seth material” search engine (Jane Roberts)

G-r-a-n-o-l-d-y. A connection with St. Ambrose, and the church. (Long pause.) Church records kept in a vault in the basement. (Long pause.) Later, much later, a track of some kind was built very near by the church property. For a while in later years, the house where you lived had front rooms converted into a barber shop. Perhaps from 1870 to 1890.

(“A framework, that seems to be wooden, with thin lines like poles.” We believe this data is reinforced by the “high ledge shape” data given later, and that it refers to my studio, wherein the page of manuscript used as object was written. Jane uses the studio in the mornings while I am working outside. Her desk faces a row of five windows, tall and narrow, and with small panes. The studio is actually a glass-enclosed back porch, second story, converted to year-round use.

(“A connection with a high ledge shape, as one connected with a roof, or lookout from which one can look down and away.” See the interpretation of the “framework” data on page 148. As stated, the manuscript page used as object was written by Jane in the studio at the back of the apartment. The studio is a second-floor converted porch with two sides made up of five windows each. Jane sits at her desk facing the row of windows to the west; from there she has an excellent view of the backyard and the street beyond. She “looks down and away” at grass and flowers, etc., and to her left, not obstructing her view, is the porch roof of the apartment on the ground floor.