“Seth material” search engine (Jane Roberts)

Now. In regard to the Boston existence, we will try to add a few details. Tonight I am attempting to answer some questions, and give you some reincarnational material in which you are interested. We will do this in our own way. Oftentimes a few sentences of seemingly unrelated material will later be found to be pertinent. On other occasions the unrelated material simply allows me to slyly insert specific information without alarming Ruburt.

(“A framework, that seems to be wooden, with thin lines like poles.” We believe this data is reinforced by the “high ledge shape” data given later, and that it refers to my studio, wherein the page of manuscript used as object was written. Jane uses the studio in the mornings while I am working outside. Her desk faces a row of five windows, tall and narrow, and with small panes. The studio is actually a glass-enclosed back porch, second story, converted to year-round use.

(“Red or blue.” I am not sure, but when taking the data from Seth I wondered whether this could be connected to the postmark data. At times it is difficult to tell. I used a period after the word postmark however in the notes, so consider the red and blue separately. Jane made the notes on the object with a dark blue or gray pen that gives the impression of dark blue. She said she felt red or blue refers to the fact that she uses two different pens in correcting manuscript—a red one and a blue one; but we are not sure.