“Seth material” search engine (Jane Roberts)

(The 52nd envelope experiment was held. The object was a page of manuscript from Jane’s dream book. She had thrown it away on May 5; unknown to her I fished it out of the wastebasket. It is typed on yellow paper and bears her penned notations. The back of it is blank. I used the two pieces of Bristol board and the two envelopes as usual in preparing it for the experiment.

The address itself had two fives in the number. There is a connection with a 1632 date that I do not understand. Perhaps we can clear it up later. (Long pause.) A Gaylor family was connected with the church. Rich members I believe, and they were buried nearby. A Sarah and an Oscar.

There was another town directly west, or an area whose name began with an A, and it was more distant than the other two settlements. You moved here, and then moved back to Boston.

The connection between the two men reaches some decades into the past. Perhaps an initial M or N here. Eyeglasses and some sort of mustache.

Separately now, a connection with the initials P, G, or P, C, and an overdrawn account. Two packages which are not delivered on time. Dr. Instream does not hold the chain which is our object, but watches the woman who wears it.

(“Red or blue.” I am not sure, but when taking the data from Seth I wondered whether this could be connected to the postmark data. At times it is difficult to tell. I used a period after the word postmark however in the notes, so consider the red and blue separately. Jane made the notes on the object with a dark blue or gray pen that gives the impression of dark blue. She said she felt red or blue refers to the fact that she uses two different pens in correcting manuscript—a red one and a blue one; but we are not sure.

(“A connection with a high ledge shape, as one connected with a roof, or lookout from which one can look down and away.” See the interpretation of the “framework” data on page 148. As stated, the manuscript page used as object was written by Jane in the studio at the back of the apartment. The studio is a second-floor converted porch with two sides made up of five windows each. Jane sits at her desk facing the row of windows to the west; from there she has an excellent view of the backyard and the street beyond. She “looks down and away” at grass and flowers, etc., and to her left, not obstructing her view, is the porch roof of the apartment on the ground floor.

(“Also a small screen.” It took Jane two days to make the connection here, and when she did it was very vivid. At the end of the session she said she’d had no images while giving the envelope data. Association a couple of days later reminded her that she had indeed had one mental picture—that of a small television screen, and quite clearly. These images can be difficult to recall, particularly on the spur of the moment, and Jane has had other instances where they came to mind some time after the session.

(The TV screen entered the data because Jane used an analogy in the first couple of pages of chapter five of the dream book, involving a TV screen; she mentioned it quite extensively on two pages. The analogy does not show on the half page used as object. It begins on the bottom half of the same page—but not in the first draft of chapter five of the dream book. It is found instead in the second draft; rewriting the chapter, Jane then inserted the television screen analogy to help make some points clear.

(Two days after the session Jane found herself reading over her second draft of chapter five. Coming across the TV analogy made Seth’s data about a screen clear to her—particularly when it also reminded her that she’d had a good image of a TV screen while giving the envelope data. Had she not chosen to reread, this block of material would have been missed.