“Seth material” search engine (Jane Roberts)

(The 36th envelope experiment was held tonight. See the tracings on pages 313-14. The drawing on 313 is the actual envelope object. The drawing on 314 is executed by myself, after my boss’s drawing and instructions, and enters into the envelope data in the manner in which the four letters became involved with the envelope object in the 234th session. The relationship tonight is simpler, however.

(Someone had then laboriously used a magic marker to try to cross out the notes so they couldn’t be read; we were much amused to read them rather easily by holding the pages up to a light. The comments run the gamut from scorn to approval, and tell us as much about their author as they do about Jane’s book. Jane plans to ask her publisher, F. Fell, for the name of the author of the notes, and for a copy of the covering letter he refers to. We have initials. Seth also comments on the events, although we did not ask him to.

A connection with cold. I am not sure to what this refers. Perhaps somehow the sounds of his name suggest ice, or the letters. We shall see.

Something ground up or tattered. I do not know to what this refers. A woman in old-fashioned clothing, a representation rather than a person. The color red, large flowery first letters, open sentences or paragraphs.

(“A small round object, with some inscriptions resembling a postmark.” Jane said she saw within a small round object, with horizontal lines running across it; she thought of a postmark on an envelope, with the cancellation lines, but knew this wasn’t it. When she looked at my tracing-paper drawing, she said this was evidently what she was trying to arrive at subjectively; my drawing is of a round object, although much larger. Jane said the straight-across lettering, Key Value, is in the position of the horizontal lines she saw within. There are also ruled-in horizontal lines on the drawing.