1 result for (book:tes5 AND session:236 AND stemmed:copi)
6/139 (4%)
drawing
smudges
tracing
horizontal
stickers
[... 13 paragraphs ...]
(Someone had then laboriously used a magic marker to try to cross out the notes so they couldn’t be read; we were much amused to read them rather easily by holding the pages up to a light. The comments run the gamut from scorn to approval, and tell us as much about their author as they do about Jane’s book. Jane plans to ask her publisher, F. Fell, for the name of the author of the notes, and for a copy of the covering letter he refers to. We have initials. Seth also comments on the events, although we did not ask him to.
(Jane was pleased at the choice of type for the book, and the manner in which Seth’s quotes have been distinguished from her own copy. The arrival of the galleys had excited her, but she felt the excitement stemmed from not from this alone, but from the manner in which they arrived from New York City. She apparently had the situation covered in her daily predictions for the two previous days.
[... 46 paragraphs ...]
A brown or red binding. Perhaps leather. That is, the cover is rather heavy or thick. Something to do with Descartes also, in the copy. A medieval scene depicted, with romantic overtones. Romantic not necessarily in terms of love interest, but in terms of imaginative fancy.
[... 19 paragraphs ...]
(My drawing was actually a recreation of artwork that had been lost at Artistic Card Co. As often happens the original art was later found after I had duplicated it. The drawing was for a gummed sticker to be applied to a line of packaged cards of various kinds—religious, Christmas, Valentine’s Day, etc., and was for a large old department store in Philadelphia, PA, that goes under the cavalier name of John’s Bargain Store. As the copy of my tracing shows these stickers are applied to the appropriate merchandise at various times of the year.
[... 12 paragraphs ...]
(“A connection with a machine”, could refer to the fact that I did some of the work on my tracing-paper drawing on a darkroom machine that is called a Lacey-Luci. This is a bulky contraption containing floodlights, a ground glass, and a magnifying-reducing lens for fast juggling of copy or artwork to proper size. A machine of this type is a standard in most art departments.
[... 42 paragraphs ...]
(Reduced copy of the print of my right palm, used as the envelope object in the 37th envelope experiment, in the 237th session for March 2,1966. Made on February 27,1966.)