“Seth material” search engine (Jane Roberts)

Something ground up or tattered. I do not know to what this refers. A woman in old-fashioned clothing, a representation rather than a person. The color red, large flowery first letters, open sentences or paragraphs.

A small round object, with some inscriptions resembling a postmark. A connection with something unclaimed, with the number 12, perhaps also with six three, and with ribbonlike shapes. That is, long lines that are straight, perhaps two of these, and of dark color I believe, or dark red. Black on red. Horizontal rather than vertical, in the position in which I hold this.

December. A connection with a willingness to go somewhere. Star shapes. The color white background, and a paper item, folded like a card, the center being a rectangular shape.

(“and with ribbonlike shapes. That is, long lines that are straight, perhaps two of these, and of dark color, I believe, or dark red. Black or red. Horizontal rather than vertical, in the position in which I hold this.” As stated on page 321, Jane held the rectangular double envelope up with its long edge parallel to the floor, and moved it back and forth to indicate most definitely her insistence upon the horizontal attribute. This is most interesting, for the envelope object itself contains neither vertical or horizontal lines or masses. Once again her actions and data seem to be an attempt to get at my tracing-paper drawing, which bears a close connection to the envelope object.

(When she saw the smudges on the back of the tracing-paper drawing, Jane said this was what gave her the idea of “ribbonlike shapes.” The “dark color” and “dark red” references were her attempts to further refine this data.

(“The color white background”, might be taken as a reference to the white paper the envelope object was drawn on, but Jane said that once again this referred to the tracing-paper drawing I made. Tracing-paper is a pale translucent gray or off-white color, but not really white as this typing paper is white.