“Seth material” search engine (Jane Roberts)

The inverted time system should be at least briefly explained in the Seth book. I do not want to dictate to Ruburt, or tell him how to write this book. It occurs to me however that it would be advantageous to include in the middle section my ideas concerning the construction of physical matter, the inverted time system, moment points, a discussion concerning the dream universe, and the system of probability. All of this in direct quotes from the material itself. The last section of the book could then deal with what evidential material we have, and you shall have more. I am certain that Ruburt could so organize the center portion of the book so that stress could still be given to the personal story line.

(Jane took another long pause. We had just about decided to finish the book in the above manner. Jane has been thinking over what material to include in the center section so as to maintain reader interest, and some time ago decided to finish the book with what evidential material we have so far. The first section is now in the hands of her publisher.)

December. A connection with a willingness to go somewhere. Star shapes. The color white background, and a paper item, folded like a card, the center being a rectangular shape.

Somehow cluttered, or full, and empty toward the outsides. Dark and shadowy in the center, with suggestions of motion, and late afternoon.

(“and a paper item, folded like a card”, also referred, Jane said, to my drawing rather than the envelope object. Jane said she had a vague image of a small round object upon a rectangular folded object that was like a card, yet the circle was not placed as neatly in the center of the rectangle as my drawing is. It was more offset toward the upper right corner, hence her postmark reference on page 321 also. On page 314 note that my tracing-paper drawing is folded roughly like a card.

(“the center bring a rectangular shape.” Jane said this is another reference to the rectangular area taken up across my drawing by the words Key Value.

(“Somehow cluttered, or full, and empty toward the outsides.” On the original tracing-paper drawing my pencil smudging on the back shows through easily, and gives the drawing a cluttered or crowded look in the center. By contrast it looks bare toward the edge of the circle. This is an effect I noticed at work while making the tracing, but the illusion disappeared on the finished art.

(“Dark and shadowy in the center”, Jane said, is another reference to my smudges on the back of the drawing, and refer back to the ribbonlike shapes on page 321. She had a fairly good image of this darkened area, and its horizontal disposition.