1 result for (book:tes5 AND session:236 AND stemmed:caus AND stemmed:effect)

TES5 Session 236 February 28, 1966 4/139 (3%) drawing smudges tracing horizontal stickers
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 236 February 28, 1966 9 PM Monday as Scheduled

[... 5 paragraphs ...]

(I discussed with Seth the surprise with which Jane and I have watched young people take to his ideas on time, dreams, clairvoyance, telepathy, etc.; with this I speculated as to the reaction of Jane or myself had we been introduced to such ideas at the age of 20 or so. Seth said there was no cause for surprise here, that young people are intuitively aware of much more than one gives them credit for, and that when Jane and I meet young people who express interest we should help them by recommending books, giving our own ideas, etc.

[... 1 paragraph ...]

(Seth had some interesting things to say about using suggestion. The kernel of thought here is that it is important to use whatever suggestions we want to, daily; he stressed the importance of not missing a day. He explained that in a given period of say, thirty days, the suggestions on perhaps but three or four days within that period would be really effective, and that as of now we have no way of knowing the best days. So if we miss a day, we run a chance of missing out on a particularly effective day for suggestion. Seth said that on occasion suggestion will reach all levels of the personality, that our voice will be heard throughout the personality, and that effective action will follow. There was more here but the above is the main point made.

[... 33 paragraphs ...]

(There follows the account from my notebook describing my adventure in hearing music while almost asleep: “February 27, Sunday night, actually 12:30 AM: As I lay in bed half asleep I heard very clearly music in chords, played by an electric guitar. The sound was very harmonious, neither too fast or slow, and quite beautiful, almost with an echoing quality. I realized I had been listening to it for some little time, perhaps a minute, before I consciously realized what was happening. I then came awake and described the effect to Jane, who had not yet fallen asleep.”

[... 60 paragraphs ...]

(“Somehow cluttered, or full, and empty toward the outsides.” On the original tracing-paper drawing my pencil smudging on the back shows through easily, and gives the drawing a cluttered or crowded look in the center. By contrast it looks bare toward the edge of the circle. This is an effect I noticed at work while making the tracing, but the illusion disappeared on the finished art.

[... 35 paragraphs ...]

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