“Seth material” search engine (Jane Roberts)

(See the tracing of the envelope object, and its accompanying drawing, on pages 313-14. We did not ask Seth to clear up each point in the data, so give below our own interpretations. As stated, the key drawing made by my boss was the actual envelope object. This is on thin white paper. The drawing on tracing paper was made by me, from instructions given to me by my boss, and is a schematic drawing to be traced onto Bristol board for final artwork.

(My drawing was actually a recreation of artwork that had been lost at Artistic Card Co. As often happens the original art was later found after I had duplicated it. The drawing was for a gummed sticker to be applied to a line of packaged cards of various kinds—religious, Christmas, Valentine’s Day, etc., and was for a large old department store in Philadelphia, PA, that goes under the cavalier name of John’s Bargain Store. As the copy of my tracing shows these stickers are applied to the appropriate merchandise at various times of the year.

(“Something turned up.” As stated, the lost artwork was found after I had spent time duplicating it.

(“A connection with something unclaimed, with the number 12, perhaps also with six three”, brought no connections to mind. Then later Jane thought of the lost artwork at Artistic—“something unclaimed”?

(“A connection with a machine”, could refer to the fact that I did some of the work on my tracing-paper drawing on a darkroom machine that is called a Lacey-Luci. This is a bulky contraption containing floodlights, a ground glass, and a magnifying-reducing lens for fast juggling of copy or artwork to proper size. A machine of this type is a standard in most art departments.