who

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TES5 Session 236 February 28, 1966 5/139 (4%) drawing smudges tracing horizontal stickers
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 236 February 28, 1966 9 PM Monday as Scheduled

[... 4 paragraphs ...]

(Seth reiterated that Jane’s book on the Seth material would be published, and that the poetry book would be published. He did not say who would publish them, and I did not ask. See page 269 of the 232nd session for background material and other references. Jane’s publisher F. Fell, has written asking for photographs pertaining to the Seth book; in connection with this and in answer to my question, Seth said he would be amused to see a reproduction of my painting, purporting to be Seth, in the book. I’d done my oil of Seth in May/June of 1965.

(I discussed with Seth the surprise with which Jane and I have watched young people take to his ideas on time, dreams, clairvoyance, telepathy, etc.; with this I speculated as to the reaction of Jane or myself had we been introduced to such ideas at the age of 20 or so. Seth said there was no cause for surprise here, that young people are intuitively aware of much more than one gives them credit for, and that when Jane and I meet young people who express interest we should help them by recommending books, giving our own ideas, etc.

[... 35 paragraphs ...]

(There follows the account from my notebook describing my adventure in hearing music while almost asleep: “February 27, Sunday night, actually 12:30 AM: As I lay in bed half asleep I heard very clearly music in chords, played by an electric guitar. The sound was very harmonious, neither too fast or slow, and quite beautiful, almost with an echoing quality. I realized I had been listening to it for some little time, perhaps a minute, before I consciously realized what was happening. I then came awake and described the effect to Jane, who had not yet fallen asleep.”

[... 54 paragraphs ...]

(“and some people you do not know, and some you do know.” Too general. I do not know the people who operate John’s Bargain Store, but neither do I know many other of Artistic’s clients. Obviously there were people around the art room whom I do know.

[... 26 paragraphs ...]

Some distant connection with the name Margo. This concerns our impressions of the man who made notations on the manuscript. Two other females also. Younger than he.

[... 14 paragraphs ...]

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