“Seth material” search engine (Jane Roberts)

Fairly heavy in weight for its size. The edges of the object would ordinarily be sharp, it seems, but they are somewhat blunted. I get the numbers one eight eight eight, in connection with this.

It has a connection with a clock, but is not a clock. It has hands but it does not tell time. The numbers four, three, six are connected here, and also a schoolhouse, and a bell, such as one that is rung to some children to school.

Four, the number four, having to do with several of a kind. An enclosure. A specific event, which is anticipated. These connected with the item.

A connection with grassy land, and strings, such as apron strings. Four, five, no, six, the number six. February. Someone runs away. A connection with round colored objects, and a person who was not familiar to you personally.

(“I get the numbers one eight eight eight, in connection with this.” My own idea here is that Seth/Jane picked up the three-ring design shown on each of the three glasses depicted on the coaster, and translated or converted this data into the number 8, three times. There is a graphic resemblance here. The numeral 1 appears in the code number, in small type, next to the bottom border.

(“Four, the number four, having to do with several of a kind.” There is a connection here but we did not see it at the time. Seth reminds us of it later in the session.

(“Four, five, no, six, the number six.” Here again Seth leads Jane by his method of counting. There were six of us in our gathering last Saturday evening, when I obtained the envelope object.

(“What about your reference to the number four?”)

The four in the beginning was merely my effort to lead Ruburt further, in counting as I did do later on, ending up with our correct six. The number, as a beginning number, was chosen because it does appear, though minutely, on the item itself. Also, there were four, initially, and then six. I came in, so to speak, when there were four.

(The number 4 does appear in the small code number printed on the envelope object, inside the bottom border. We missed noting this during break. We had also forgotten that we met Marilyn and Don Wilbur first at the dancing establishment, and had time for our first drink before Ann Diebler and her escort, Paul Sinderman, arrived.