“Seth material” search engine (Jane Roberts)

Ruburt did well to relax the last few days, and he will now find that he applies himself to his various endeavors with renewed energy. I am glad that he put his dream book aside for a while, merely because he will have much more data for it within a short time. He can be working out his ideas however in the meantime, as this will be most beneficial. Even though some of his ideas will change, he will still need these present ideas as a basis.

Now. If you would have some idea of what the probable universe system is like, then examine your own dreams, looking for those events which do not have any strong (underline) resemblance to physical events in your own conscious existence. Look for dream individuals with whom you are not acquainted in your waking life. Look for landscapes that appear bizarre or alien, for all of these exist somewhere.

Each layer, or each area of the whole self, imagines that it is the center of awareness, and that the whole self revolves about it. So far you have had little experience with these other “centers”—you may put that in quotation marks—but before too long we shall give you some ideas so that you may become at least slightly acquainted. Initially this will be done through suggestion on a subconscious level.

(Jane spotted it at break at 10:28 before I did: part of the above data seems to pertain to this evening’s envelope object. This was interesting to me especially. I prepared tonight’s envelope sometime after supper, then forgot about it in the press of other business. When the time for the envelope experiment arrived, I then had the idea the envelope contained another object, one I had thought of earlier in the day. So my surprise was considerable, consciously, when Jane opened the envelope and revealed the coaster.)

(“I get the numbers one eight eight eight, in connection with this.” My own idea here is that Seth/Jane picked up the three-ring design shown on each of the three glasses depicted on the coaster, and translated or converted this data into the number 8, three times. There is a graphic resemblance here. The numeral 1 appears in the code number, in small type, next to the bottom border.

(“A connection with grassy land”, led Jane to say a connection could be seen with the envelope object after all. When she gave this impression, she had the mental impression of grain; thus her voicing the word grassy came from the mental grain. Jane had the idea, now, that the envelope object advertised beer, made from grain.