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TES5 Session 235 February 23, 1966 10/148 (7%) coaster Hack Terwilliger envelope dancing
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 235 February 23, 1966 9 PM Wednesday as Scheduled

[... 2 paragraphs ...]

(The envelope object for tonight’s 35th experiment was a beer coaster that I picked up from our table last Saturday evening, at our favorite dining and dancing establishment here in Elmira. It was the one I had used. Jane and I met two young couples there by prearrangement, and we had much fun dancing. The coaster is made of heavy absorbent cardboard, so I peeled the top layer of paper from it. This contained the design, printed in red, without any unusual thickness to furnish Jane unwitting clues. It was sealed in the usual double envelope between two pieces of Bristol.

(The two young couples, Marilyn and Don Wilbur, and Ann Diebler and Paul Sinderman, witnessed the unscheduled session of November 5,1965. See the notes for the 206th session. The Wilburs and Ann Diebler also witnessed the unscheduled session for December 3,1965; see the notes for the 214th session.

[... 21 paragraphs ...]

Now, my dear friends, your self-consciousness is the self-consciousness of the ego which you know, and which you consider your self. But where this self -conscious self ends, another self-conscious self begins. The two selves, being self-conscious selves, cannot be aware of any reality but their own.

[... 4 paragraphs ...]

The subconscious, so-called, is aware to some extent of the ego, regarding it as an extension of itself, over which it does not have as much control as it would like. This is precisely however the way the ego views the subconscious, as a rule. These two self-conscious portions of the self simply happen to coincide or to coexist with some proximity, psychologically speaking.

[... 14 paragraphs ...]

A vest. (Pause at 10:16.) The object is smooth, with moving parts. Twice, something on it twice, or two times.

[... 21 paragraphs ...]

(“Either the inscription or the insignia is of red color.” Our envelope object, the coaster, is printed in a bright red. The color of the porous paper or board is a typical light beige or tan, not resembling metal, and certainly not heavy in weight for its size. Seth also mentioned these last two points in connection with the Instream data for Monday.

[... 4 paragraphs ...]

(“An enclosure.” We thought this a reference to the dining and dancing establishment we visited last Saturday evening, February 19, where I picked up the envelope object. Not to the establishment itself, but to the particular table we sat at with the other two couples. Its location, in one corner of the place, is unique; it sits on a raised platform perhaps two feet higher than the other tables; the dance band is on the left, the fireplace on the right, with an excellent view of the dance floor in between. The table itself is round, and backed up by a wide circular leather-covered divan-type of seat. In short, it’s the best seat in the house.

(“A specific event, which is anticipated. These connected with the item.” This is a reference to the Saturday evening of dancing, which was planned in advance by us with the other two couples, Marilyn and Don Wilbur, and Ann Diebler and Paul Sinderman. Certainly it was anticipated with pleasure.

[... 4 paragraphs ...]

(“A paper item.” The envelope object is a paper item. As stated, it originally was quite thick, so I peeled the top layer from it, containing the design printed in red, to insert into the double envelopes. This reduced it to the thickness of rather heavy writing paper. When this thin layer was enclosed between the regular two pieces of Bristol, then sealed in the usual double envelope, it was not possible to judge by feel, or weight, that it was in any way somewhat different from the usual envelope object.

[... 8 paragraphs ...]

(“A connection with round colored objects,”. I thought this might be a vague reference to the fact that Marilyn found in her handbag, Saturday night at the establishment, a group of miniature plastic castings of animals that she had made for her two-year old son. They were translucent, of different colors, tiny horses that were not round as a marble is round, but with rounded simple lines. We toyed with them throughout the evening.

[... 59 paragraphs ...]

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