“Seth material” search engine (Jane Roberts)

Books: TSM, SS, NoPR, UR_1 2, NotP, NoME, TMA, DEaVF_1 2, SDPC, WTH, TES_{1 2 3 4 5 6 7 8 9}, TPS_{1 2 3 4 5 6 7}, ECS_{1 2 3 4}, ✖

1 result for (book:tes5 AND session:235 AND stemmed:gottesman)

▼ TES5 Session 235 February 23, 1966 1/148 (1%) coaster Hack Terwilliger envelope dancing
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 235 February 23, 1966 9 PM Wednesday as Scheduled

[... 145 paragraphs ...]

(Tracing of the pencil drawing on white paper, used as the object in the 36th envelope experiment, in the 236th session for February 28,1966. Drawing executed by my boss, Harry Gottesman, at the Artistic Card Company in Elmira, NY.)

[... 1 paragraph ...]

Similar sessions

► TES5 Session 234 February 16, 1966 letter Fell Rhoda Marian January
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 234 February 16, 1966 9 PM Wednesday as Scheduled

► TES4 Session 193 September 27, 1965 label Lorraine Lake test Seneca
– The Early Sessions: Book 4 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 193 September 27, 1965 9 PM Monday as Scheduled

► TES5 Session 236 February 28, 1966 drawing smudges tracing horizontal stickers
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 236 February 28, 1966 9 PM Monday as Scheduled

► TES5 Session 237 March 2, 1966 print handprint Myhalyk ink steeple
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 237 March 2, 1966 9 PM Wednesday as Scheduled

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Query language reference | Change notes^{'24 Nov 6}

The entire Seth collection, including audio, early and personal sessions, can be ordered from sethcenter.com. Audiobooks and Kindle from amazon.com.

Book content copyright © Laurel Davies-Butts.

“This material is not for those who would deceive themselves with pretty, packaged, ribboned, truths—truths that are parceled out and cut apart so that you can digest them. [...]

This material demands more. It demands that you intellectually and intuitively expand—it demands that you use your abilities.“