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TES5 Session 203 October 28, 1965 4/74 (5%) Peg Rhine Rico Puerto Duke
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 203 October 28, 1965 9:40 PM Thursday Unscheduled

[... 4 paragraphs ...]

(The session tonight did not dwell on the recent experiments however, although Seth did express himself as pleased because we were pleased. Jane has made copies of the clairvoyant material from the three sessions involving the Gallaghers; they are to write in their account of what actually transpired after each of Seth’s predictions or statements. We will then assemble all of the data into coherent form and include it in an early future session. Jane’s psy-time experiments will also be so treated so that we have a unified body of work covering this experiment. We are most grateful for the wholehearted cooperation of the Gallaghers.

[... 1 paragraph ...]

(Seth came through as we were discussing the rather striking fact that while in Puerto Rico the Gallaghers met a woman physiotherapist from Duke University. I do not have her name at the moment. This woman knows Dr. Rhine well. It seems that her department and Dr. Rhine’s are somehow linked at Duke, and that his incoming mail goes through her department. We will obtain more details. The lady told Peg and Bill a good deal about the workings of Dr. Rhine’s department; and how, now that he is past 70, the mandatory college retirement age, arrangements have been made for him to continue his work in parapsychology through a foundation which is apparently connected to or with the college.

[... 14 paragraphs ...]

([Peg:] “Has she already started working there?”)

[... 10 paragraphs ...]

(The portrait referred to by Seth happened to hang on a wall facing Jane this evening. In the 168th session, Seth stated the painting represented him, but he did not say in which life. The idea “came” to me one day and I painted the portrait without a model. It is quite successful, and depicts an elderly, rotund, bald man standing by a window through which strong light streams. He gestures toward the viewer. As soon as I began work on it last spring, Jane insisted it was of Seth. I did not know who it represented consciously; merely that I had a very clear mental image of a face and figure to paint. The work progressed with considerable ease. See Volume 4.

[... 40 paragraphs ...]

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