1 result for (book:tes5 AND session:202 AND stemmed:work)

TES5 Session 202 October 27, 1965 4/71 (6%) astral gallery seesaw tassel exhibition
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 202 October 27, 1965 9 PM Wednesday as Scheduled

[... 3 paragraphs ...]

(Jane has been working hard these days, and before the session tonight she remarked that her eyes were tired. The session was held in our quiet back room. Jane spoke while sitting down. Her eyes were closed, her voice somewhat deeper than usual, although not loud; and her pace was rather slow in the beginning.)

[... 54 paragraphs ...]

(The “impression of a seesaw... as a children’s game,” is quite interesting to us, and we believe a good example of the way associative memory can work while also being accurate. At the time of the exhibition I participated in at Bill’s gallery last winter, he had not had the gallery open very long. Building was still going on; in the back room were sawhorses he had borrowed from a carpenter, plus many other tools, scraps of wood, etc. Note that the sawhorse shape and the support for a child’s seesaw would be practically the same. Jane is very attached to playground accoutrements; she has especially fond memories of children’s seesaws and swings. Indeed, playgrounds have an almost mystical significance for her and she uses them often in her paintings.

[... 8 paragraphs ...]

(The unpleasant event referred to by Seth made several pieces of information given in the test data fall into place for us. The errors in introduction made by Jane at the gallery reception were humorous, but also so obvious that their significance could be hardly missed. One involved a cousin of mine whom we hardly see; the other involved the director of the other gallery in town, the Arnot, for whom Jane had worked until a couple of months before the reception at Bill’s gallery, which we now believe did take place in February.

(Jane’s relations with this man became so acerbic that she left his employ in the fall of 1964. At the time Seth said it was a wise move, and that from that point on Jane would do well with her writing. This has been the case. Seth also dealt rather extensively with the conflict between Jane and the director of the Arnot in the following sessions: 74, 75, 77, 79, 82, 84 and 85. All of Seth’s material on the situation has worked out. At the time, we found the psychological information contained in these sessions very helpful. See Volume 2.

[... 1 paragraph ...]

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