“Seth material” search engine (Jane Roberts)

(“A connection with music” can result from the fact that Bill played jazz on a phonograph at his gallery during the exhibition in which I participated last winter; he plays music also at each exhibition he presents.

(The “impression of a seesaw... as a children’s game,” is quite interesting to us, and we believe a good example of the way associative memory can work while also being accurate. At the time of the exhibition I participated in at Bill’s gallery last winter, he had not had the gallery open very long. Building was still going on; in the back room were sawhorses he had borrowed from a carpenter, plus many other tools, scraps of wood, etc. Note that the sawhorse shape and the support for a child’s seesaw would be practically the same. Jane is very attached to playground accoutrements; she has especially fond memories of children’s seesaws and swings. Indeed, playgrounds have an almost mystical significance for her and she uses them often in her paintings.

(“Four, six” did not ring a bell with us. Bill’s gallery, which takes up the entire ground floor of a downtown store location, is certainly “a location with much space.” We are not sure of the “steeple shape,” unless it may apply to some of the modern sculpture also on exhibit in the gallery last winter.

(Jane and I encountered her ex-employer at the reception at Bill’s gallery last winter. Jane was acting as an unofficial hostess. In introducing this man to another couple, or trying to rather, Jane discovered in mid-sentence that she had forgotten his name.)