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TES5 Session 202 October 27, 1965 4/71 (6%) astral gallery seesaw tassel exhibition
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 202 October 27, 1965 9 PM Wednesday as Scheduled

[... 11 paragraphs ...]

This does not mean that it cannot be seen on occasion, but it cannot be perceived through use of the unaided physical senses. It is that indeed which contains the memories and experiences, in codified units, of the present individual. It is that part which survives physical death. It is that part which in physical life is intertwined with the physical image.

[... 4 paragraphs ...]

When the physical self sleeps the astral image may indeed wander. It always returns to the physical body during physical life. Its telepathic and clairvoyant abilities are not hampered in any way by the ego when that self sleeps. In waking hours the communications system is more or less closed on the ego’s side, but in sleep the barriers are lifted and knowledge from the inner self has a freer flow.

[... 10 paragraphs ...]

Incidentally, suggestion will reach many aspects of the self, and some which are very distant from the ego, for you are setting into motion psychic action, which is behind all realities. Suggestion will reach portions of the self of which the ego is entirely unfamiliar. Suggestion can indeed change experience which has already passed.

[... 30 paragraphs ...]

(The “impression of a seesaw... as a children’s game,” is quite interesting to us, and we believe a good example of the way associative memory can work while also being accurate. At the time of the exhibition I participated in at Bill’s gallery last winter, he had not had the gallery open very long. Building was still going on; in the back room were sawhorses he had borrowed from a carpenter, plus many other tools, scraps of wood, etc. Note that the sawhorse shape and the support for a child’s seesaw would be practically the same. Jane is very attached to playground accoutrements; she has especially fond memories of children’s seesaws and swings. Indeed, playgrounds have an almost mystical significance for her and she uses them often in her paintings.

[... 11 paragraphs ...]

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