“Seth material” search engine (Jane Roberts)

(Jane talked with Peggy Gallagher briefly on the telephone this morning and learned that the Gallaghers returned to Elmira yesterday, Tuesday, from vacation in Puerto Rico. Jane learned little about their trip other than that the Gallaghers took many notes to use in checking against Seth’s notes; and that Bill found himself involved in a “strange experience” with a piano player and what he thought was telepathy. The four of us get together this weekend to hash over all the notes.

(For the envelope test I used a pair of name cards made by our friend Bill Macdonnel for his art studio, the Cameron Gallery. Bill gave us these cards perhaps a year or so ago, shortly after he opened his gallery. Each card is handmade and thus somewhat unique. More than anything else, I was interested in seeing if Jane could distinguish that the test involved two objects. I placed the cards between two pieces of Bristol board, then sealed them in the usual double envelopes.

First however I have a suggestion for Ruburt along the following lines. He is now at the point where he can greatly improve the condition of his eyes, and his vision, through consistent self-suggestion. The following phrase should be beneficial: I am relaxed and at ease, and confident. I can see easily and well.

(Seth began discussing the inner senses in the 20th session; by the 50th session he had gone into some detail on nine of them, with more to come. By the 59th session he had also included eleven basic laws of the inner universe, plus three properties of physical material.

His feet are tired. He thinks of an umbrella, and is now in a very small room or enclosure. He holds something up high that dangles, as from a chain or string. It dangles freely, like a pendulum, and he watches it. (Pause.)

He has his glasses off. His left foot has been bothering him. He wears a green robe with a tassel on the belt ends. The tassel is yellow or gold, or there are bands of yellow or gold by the tassels. He may have a late caller this evening. (Long pause.)

(We could make many interpretations of “The number two.” My personal idea is that “The number two” refers to the fact that two items comprise the test object. We did not know what to make of the color green impression. Any painting in Bill’s gallery could be “A representation.” “Two people” is also open to many interpretations. “Yourself a year ago” I regarded as valid, since I had paintings of my own on exhibit at Bill’s gallery on the occasion for which he made these cards; and the event took place around a year ago, although I do not know the exact date offhand.

(“A connection with music” can result from the fact that Bill played jazz on a phonograph at his gallery during the exhibition in which I participated last winter; he plays music also at each exhibition he presents.

(The “impression of a seesaw... as a children’s game,” is quite interesting to us, and we believe a good example of the way associative memory can work while also being accurate. At the time of the exhibition I participated in at Bill’s gallery last winter, he had not had the gallery open very long. Building was still going on; in the back room were sawhorses he had borrowed from a carpenter, plus many other tools, scraps of wood, etc. Note that the sawhorse shape and the support for a child’s seesaw would be practically the same. Jane is very attached to playground accoutrements; she has especially fond memories of children’s seesaws and swings. Indeed, playgrounds have an almost mystical significance for her and she uses them often in her paintings.