“Seth material” search engine (Jane Roberts)

The suggestion itself, psychologically, also prevents you from simply being swept away, willy-nilly, by the collective energy. You must understand that use of such energy does in no way suggest monopolizing it. You do not deprive others. Your own actions continue to produce additional energy. This method of utilizing energy is also used in the creation of dream images. The form of the images is not an illusion. You simply have form without mass, to all practical purposes, and there is no contradiction in that statement.

A passage which has been in his mind. I have an impression of the number 218. I do not know to what it refers. A page number, an address, or simply the digits.

Do you have a test for me?

The impression of several items, of various shape and diverted mass, with separations. Some strong verticals, having to do with two people, and a fall or fall.

I also have the impression of rubber, but do not know to what this refers. An item of value, and necessary precautions.

Five items. (Pause.) Shapes as of hills in the distance; having to do with two people and many designs. One strongly circular, and a space between darks.

(There could be strong verticals, depending on how Jane held the envelope; I do not remember. There are of course separations and many designs. Jane said the station wagon mentioned could be an item of value. Necessary precautions refers to steps the couple take upon learning the imminent arrival of the girl’s father, although these are not outlined on the page of test script, but on both preceding and succeeding pages.

(Five items could be the station wagon, a cup of coffee, a pile of bricks, paint-stained khakis, and the world itself; but this is open to other interpretations, we would say. A strongly circular design I interpret as the world. I interpret the impression of rubber as referring to the rubber band that held the manuscript together in the file drawer. I do not know what to make of the reference to hills, unless it is a rather far-out connection with the “pile of bricks” simile in the script.