“Seth material” search engine (Jane Roberts)

An emotion obviously does not take up physical space, yet it takes up varying amounts of psychic space according to its intensity. It seems to recede in time and to shrink in psychic space as the intensity of it begins to diminish. An intensive emotion will represent the present in time, a particular instant of now.

This function is extremely important, and represents one of the main ways in which problem-solving is dealt with by the personality. This is also the reason why the plays of Shakespeare have endured the centuries. The dramas are not true to life in physical terms, but are true to life in psychic terms.

The creative abilities have full reign within the dream state, and it is here that the personality first tests its creative intensities and methods. The personality’s physical environment therefore is greatly colored and formed by his dream existence. There is some leakage from waking-life experience to dream experience, but this leakage usually represents the material needed, or the problem to be solved. Mental events and dream events are primary. The individual first manipulates situations within the dream reality, and then transposes his characteristic method of handling them upon the physical reality.

(In the 54th session Seth went into considerable detail in explaining the construction of entities. He could not give us this information earlier, he said, because we would have leaped to the conclusion that he was Ruburt’s [Jane’s] subconscious mind; this is not so. As everything else does, entities constantly change. To quote Seth: “Ruburt is not myself now, in his present life; he is nevertheless an extension and materialization of the Seth that I was at one time... He grew, evolved and expanded in terms of a particular, personal set of value fulfillments... He is now an actual gestalt, a personality that was one of the probable personalities into which Seth could grow. I represent another, I am another.”