“Seth material” search engine (Jane Roberts)

(For what it is worth, earlier in the afternoon I had been wishing I had a model handy, for I felt like doing some quick sketches as a relief from the constant oil painting. It is difficult for me to get models when I have the time to use them. For some other material on my visions, see the 22nd and 47th sessions, in Vols. 1 and 2.

Experiences are more directly felt, although the same sort of differences occur here as far as intensities are involved. In the dream state as in the waking state, experiences vary in their intensity. There is however a more mobile element and an easier movement through experiences. Transitions are more rare in the dream state, since physical time lapses are not necessary.

Spontaneity is more the rule. Images appear and disappear, for there is no necessity to construct them as continuous physical constructions. There is therefore greater opportunity for new creations. These dream experiences take up psychic space, as do waking experiences. Their intensity is immediately felt however without any reliance upon physical time.

They are felt according to their intensity only. You might say, returning to our analogy, that there is more color-mixing within the dream state, and the materials are immediately at hand. Distance is then seen in its true light, not in relation to physical space but in its basic relationship to emotional intensity. As you seem in the waking condition to travel out of an experience, or as you seem to separate yourself from it, then physical time enters into your awareness.

(Break at 10:26. Jane was well dissociated. It was one of those instances, she said, where she was “totally involved” with the material she was delivering. She felt as though she was inside the material. Her eyes had been open most of the time, and she had been quite restless. Her pace had been fast.