“Seth material” search engine (Jane Roberts)

(This afternoon while painting I had a vision. With my inner eye I saw the face of an older man, facing to the left in full color. I made two pencil drawings of the image. It was quite clear, especially about the eyes, nose and mouth; and later I realized that I had been “seeing” it for at least a few moments, almost absent-mindedly, before I understood what was happening.

The use of energy in such a way does not however, and should not, ordinarily drain you. To the contrary, again within reason, it should invigorate you, allow you to draw upon additional energy, and give you practical experience in doing so.

(In making up the test, I had unwittingly focused my conscious attention on the calendar side of the paper. This was the first time I had used a test object containing material on both sides of the paper. The makeup of this particular calendar consisted of the days of the month on one side, and a drawing in color on the other.

(Returning to the outside, calendar side of the test paper, there were several strings of numbers. The calendar month was April 1965, although the year date doesn’t show. Returning to the other side of the paper, we see that a road leads up to the garage attached to the drawing of the erected house.

(Thus it seems that Seth traveled through the thickness of the paper, picking up impressions as he went along, and did this at least twice. He also mentioned “two people...perhaps a dress.” There were no people on either side of the test paper. Checking the whole calendar however, we noted there was a drawing of a man and a woman on the upper section of this particular page, but that I had left them behind in clipping out the test section. They would be about four inches removed from the clipping, and stood before another drawing of a house. We do not know if this is a legitimate interpretation of something “somehow connected with what we have here.”

(Wind is an intangible, and is not overtly indicated in the drawing. These are a draftsman’s drawings, quite precise in detail. The background material is rather freely and loosely brushed in, so that a breezy and modern effect is indicated. We do not know if this effect prompted Seth’s mention of wind. The effect of the drawing was one of “much space.”