1 result for (book:tes4 AND session:183 AND stemmed:"seth entiti")

TES4 Session 183 August 30, 1965 17/100 (17%) calendar test intensity clipping solution
– The Early Sessions: Book 4 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 183 August 30, 1965 9 PM Monday as Scheduled

[... 3 paragraphs ...]

(I had prepared a test envelope to give to Jane during the 181st session, of August 25, but did not do so because of the short session. When the envelope was not used I did not mention it to her, but saved it for tonight’s session. It contained part of a calendar page for April 1965. I came across the calendar beneath a stack of books and on the spur of the moment decided to use it for the test, wondering whether this type of cut and dried subject matter would have as much emotional pull for Seth/Jane as the subject matter of the first two tests. See the 179th and 180th sessions. Jane was out of the house when I prepared the usual double envelope.

[... 3 paragraphs ...]

(“Good evening, Seth.”)

[... 2 paragraphs ...]

(Bill and Peggy Gallagher witnessed the unscheduled session, the 182nd, on Saturday August 28. The Jesuit tag has come to be a standard one for Bill, and quite a humorous one in Seth’s view.

(During the session Seth gave an accurate psychological account of Bill Gallagher’s mother, according to Bill. She is now dead, and Jane and I never met her. Bill has told us very little about her, other than that she was an arthritic cripple like Jane’s mother is. Three points in particular were quite authentic, according to Bill. Seth stated that his mother “was fascinated by numbers,” loved the color blue, and was inordinately fond of flowers. After the session Bill Gallagher told us his mother had been a bookkeeper, was buried wearing a blue dress—blue was her favorite color—and that she was indeed very fond of flowers.)

[... 19 paragraphs ...]

(Our bed is in the small back room we usually use for sessions. During break Jane sat on it while she smoked a cigarette. The break was rather long, and Jane had started on her second cigarette. She was still on the bed when Seth came through again. Jane has yet to speak from the prone position for any amount of time. She came close to it this evening, leaning back upon an elbow quite often.

[... 15 paragraphs ...]

(During break Jane mentioned that Seth had not yet discussed my vision, noted on page 223. Nor had I given her the test envelope. I had discovered that I was reluctant to break into the material when it was going so well, and when Jane gave such an indication of involvement with it. I thought it might introduce an alien note, and also that it might interfere with the results of the test itself.

[... 10 paragraphs ...]

(Mark is Bill Macdonnel’s entity name.)

[... 12 paragraphs ...]

The man was an acquaintance of yours in a life many centuries ago. He no longer experiences earthly or physical existence. I know of him. I do not know him. He was a teacher, and is one now. He was a relative when Ruburt was Seth. He knows of our relationship, and was curious.

(The very first sessions dealt a good deal with reincarnation. Jane and me did not ask for this kind of data; it just came that way through the Ouija board and we accepted it at face value. Frank Watts, it will be remembered, was our communicator; the present Seth entity did not announce his presence until the 4th session, when he superseded Frank Watts.

(In the 3rd session, December 6,1963, Frank Watts told Jane and me that we had lived lives in Mesopotamia, our first, in the 4th century BC. Frank Watts and I were females, Jane was a male, our brother, and his name was Seth.

(In the 54th session Seth went into considerable detail in explaining the construction of entities. He could not give us this information earlier, he said, because we would have leaped to the conclusion that he was Ruburt’s [Jane’s] subconscious mind; this is not so. As everything else does, entities constantly change. To quote Seth: “Ruburt is not myself now, in his present life; he is nevertheless an extension and materialization of the Seth that I was at one time... He grew, evolved and expanded in terms of a particular, personal set of value fulfillments... He is now an actual gestalt, a personality that was one of the probable personalities into which Seth could grow. I represent another, I am another.”

(Seth then continued to explain how I am also an offshoot of that early Seth entity. Thus Jane, myself, and our present communicator, Seth, are related psychically; it is this that makes our sessions possible, according to Seth.)

[... 13 paragraphs ...]

(“Good night, Seth.”

(End at 11:02. Jane was dissociated as usual. She said that as I fumbled around trying to find the test envelope, she was forced to wait. During this period she spoke to Seth: “Okay, I’m staying in the background, so you can come through loud and clear,” or words to this effect.

(When she opened the test envelope to see a clipping of a section of a calendar page, containing numbers and a few spots of red and yellow, Jane was quite disappointed. Her reaction was similar to my own as I listened to her recitation of the test data. A very interesting fact now dawned on both of us when we looked at the back of the clipping; for here we found most of the data Seth had given was quite correct.

[... 3 paragraphs ...]

(Thus it seems that Seth traveled through the thickness of the paper, picking up impressions as he went along, and did this at least twice. He also mentioned “two people...perhaps a dress.” There were no people on either side of the test paper. Checking the whole calendar however, we noted there was a drawing of a man and a woman on the upper section of this particular page, but that I had left them behind in clipping out the test section. They would be about four inches removed from the clipping, and stood before another drawing of a house. We do not know if this is a legitimate interpretation of something “somehow connected with what we have here.”

(Wind is an intangible, and is not overtly indicated in the drawing. These are a draftsman’s drawings, quite precise in detail. The background material is rather freely and loosely brushed in, so that a breezy and modern effect is indicated. We do not know if this effect prompted Seth’s mention of wind. The effect of the drawing was one of “much space.”

[... 2 paragraphs ...]

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