“Seth material” search engine (Jane Roberts)

I will now, because I am such a good host, not bore you with an extended monologue where you find yourselves in the position of not daring to utter a word, so I will give you a break, or I will if you prefer continue.

Indeed the answer is only too obvious: the great writer fears to be found out; and why? Because the words he speaks are not his own. He knows only too well the importance of these sessions, and I am not afraid of his ego, for even his ego knows.

If indeed it is understood that this personality, as with many personalities, has been materialized in feminine form, then these perfectly natural dependent feelings are found to be merely residues from previous personality patterns. And a word here should be said, indeed, concerning the distortive ideas that arise concerning dependency and passivity.

(This time I sat at our living room table in my old accustomed place. Jane began to speak from the rocker but had uttered only a few words when she got up and took a chair at the table with me. I saw that her eyes were now open, and very dark and luminous. She was staring right at me. It will be remembered that in the 157th session Jane had mentioned that she felt Seth might try to have her speak with her eyes open soon, and while in a deep trance. In that session also, Jane had felt very restless, perhaps presaging such a change.

(Actually time plays an important role here. To type up notes from a recording means I have to spend as much time, again, listening to a session. This expenditure is then increased each time I have to stop and rerun a section to pick up a missed word, or because the dialogue simply runs so rapidly, etc.