“Seth material” search engine (Jane Roberts)

I have often said that all these divisions and separations are arbitrary. All exist one within another. Apparent boundaries are not boundaries, but only differences in the focus of attention. Even this inner ego is not the same from one given moment to another, for it is not a static thing, but is a part of continuing action. It is much more familiar with the subconscious and with the dream universe, and with the inner self, than it is with the outside ego, however.

To some extent it also acts like a director of experience and action. It is not actually composed of the past egos, but of those dominant aspects of the various personalities. The inner ego, as action, thrusts in an inward direction; that is, back toward the originating impulse. The outside ego thrusts outward. They are two faces, therefore, and form one of many spheres of action, one pulling inward and one outward.

The boundaries are functional units rather, and functions may blend one into the other. For practical purposes there are apparent divisions. In basic actuality there are no such divisions. This will be dealt with very thoroughly at a later date, but it is an important point to keep in mind.

It is therefore obvious why one action affects all others, so intimately that it is basically impossible to speak of one action in isolation. Tension is a condition of action, and an inherent quality of action. The possibilities of action are limitless. Regardless of the origin of any given action, it will never be entirely dissipated. It may pass beyond or through the system in which it originated, but its existence will not cease.

However his painting contains new realities, and distinctive ones, that would be alien to the original landscape. The actual trees, had he really been able to reproduce them, would then undergo their seasonal changes. The trees in his painting, being artificial reproductions, do not undergo the same physical changes, even while the atoms and molecules that compose the canvas itself, and all the pigments, constantly themselves change.

(Break at 10:07. Jane was well dissociated. She had spoken at a faster rate. She also said that as she spoke she had received the feeling of a concept from Seth. It was difficult for her to put into words. It had something to do with her perception of two identical masses of landscape, one being meant to duplicate the other. At the same time, she said, the duplicating mass would have to displace another equal mass to make room for the duplication.

The distortions are then creative. The nature of action itself is such that tension is one of its positive characteristics, and the tension is the element that causes action to seek expansion in terms of an attempt to duplicate itself.

Creative distortion, in its relationship with action, affects therefore the creation of thoughts. The principle of creative distortions is mainly responsible for the fact that no identical thought is ever transmitted from one individual to another. Here the material that I have given you on telepathy should be considered.

The action involved in these sessions, for example, changes us all, yet truly none of us perceive the nature of the entire action of which we are a part. I, for example, cannot perceive the entire future consequences of any one action. I may perceive the entire consequences of any given action within your system or my own, but it is impossible for me to perceive a given action’s consequences as it is felt within all systems, for each action occurs within all systems simultaneously.