1 result for (book:tes4 AND session:153 AND stemmed:creat)
[... 27 paragraphs ...]
Tension is infinite. Your time system is indeed the result of tension as it is distorted within your own system, yet the distortion itself, as you see, creates a new reality. And that reality then continues to operate, forming like realities of the sort that can exist within the given conditions already set up by the original distortion.
[... 3 paragraphs ...]
A very simple analogy will arise as an artist attempts faithfully to reproduce a landscape. The attempt is obviously doomed to failure, since the necessary actual perspectives in which the landscape exists are denied to him as working materials. He cannot create an actual reproduction of a living landscape.
[... 1 paragraph ...]
Such a landscape would have to be composed of the actual elements that compose the original landscape. The artist would have to assemble mountains of rocks, an infinity, that is infinity of molecules, all equally impossible. The best he can do is create a distortion of the original landscape—a creation of an approximation that can comfortably exist within the limited perspectives with which he can work, and using the materials that are at his own command.
[... 7 paragraphs ...]
Mankind is to some intimate degree acquainted with this attempt of action to recreate itself, for human reproduction is here a case in point, each individual attempting to create a replica, the attempt doomed to failure, but the attempt itself resulting in a distortion of the original action; that is, a distortion of the original individuals, and in the creation of a new reality, this process then being repeated indefinitely.
[... 7 paragraphs ...]
The thought received in telepathic communications will not, therefore, be the exact thought that was transmitted, but a close approximation, a creative distortion, actually created by the receiver. There are, as I mentioned, no duplication of identities.
[... 1 paragraph ...]
Say for example that our individual “A” wanted to transmit this thought to “B”. The thought is as much a reality as the landscape. It is as much a part of individual “A” as the landscape is part of the physical earth. Our imaginary artist could not rip the landscape out of the earth, or bring it to his studio. He could not create an identical landscape because he did not have at his command the perspectives or materials necessary.
[... 13 paragraphs ...]