“Seth material” search engine (Jane Roberts)

This in itself, this change of focus, is not difficult. What is difficult is the ability or facility to change focus from one area to another, always leaving the door open for a return to the usual necessary daily focus point, in order that effective balance be maintained and manipulation in the physical area remain fairly uninterrupted.

(I would like to remind the reader here that when Seth uses the term “area,” he means what up until recently he has called a “level” of the subconscious. Actually, he states, the subconscious is not neatly divided into levels, but is marvelously intertwined, like a labyrinth. Seth has mentioned this at various times.

Now during the dream drama the inner self may focus at various, or at one of various subconscious areas which it uses as a point of departure. This area, whichever one it may be, will be the one in which the main dream sequence originates and in which the dream activity occurs.

The dream objects and activities will then be interpreted at other subconscious areas, so that to understand a dream properly we should first discover at which subconscious area it originates. Individuals can be enabled to find this point of origin for themselves, after an attempt is made to recall any given dream or dreams.

A familiarity must be gained by an individual with the general nature of his own dreams first, as Ruburt now has some knowledge or intuition that enables him to distinguish between dreams that originate in areas having to do with past lives, and those which originate in other areas, though he is not yet able to further differentiate.

A state of dissociation is necessary, a letting down of egotistical barriers in order that inner symbolisms can be appreciated and distinguished. The change of focus alone will aid in intuitional enlightenment, and association can then rise more easily through the subconscious areas.

The basic and originating dream sequence occurred in that area of the subconscious having to do with past lives, and of course expanded into other areas. The dream was partially triggered, as is often the case between closely related individuals, by Ruburt’s own dream in which the leaking vessel was featured.

Your dream began with this, but you quickly changed into a masculined interpretation. A ship is thought of as a she. The symbol changed then to a woman: she who carries men within her. Because of the originating area of the dream, you chose the Potter lad’s mother, and she was the connecting image from one area to another. Even in your dream, she carried you in a car from one location to another.

You found out later and felt somewhat at fault. In the dream the lad’s present mother is seen to comfort you, this being a way to relieve the past uneasiness that at a certain subconscious area still lingers. At the time the lad was in his very early thirties, but you were much younger.

Now we come to a dream that originated on quite a different subconscious area, and that did include a certain clairvoyant knowledge. It gave you inner warning to prepare for last Sunday’s very real occurrence, in which you did indeed to some extent sit in judgement. There was necessarily of course distortion, and rather tricky distortion at that.

The other sons are present. On the childlike area of the subconscious you believe your mother mainly responsible for family difficulties. However her defense, which you recognize basically as insincere but superficially correct in this particular instance, was that your father hit her in the chest. You identified with your father, and could not permit, in this dream at any rate, an identification of this kind, since at this childish level you did not blame him and would have wished as a child, to have the power to do the same thing.

The dream of the drawings occurred on another level, and we will discuss in detail these various subconscious areas, though I speak of them as separated only for convenience.