“Seth material” search engine (Jane Roberts)

(Howard bought a small tempera of mine picturing two apples; and then to Jane’s surprise he bought off the wall of our apartment a small abstract oil that Jane and I had produced jointly, in a humorous attempt at working together. The little painting had turned out well and attracted much notice. It was the first piece of art work Jane had ever sold, and she was pleased.

When I spoke of the fine discrimination used in the construction of a dream, I had reference to the amazing work done by the inner self in the choice of its individualized symbols, which would have meaning to the many and various levels of the subconscious.

The self, in this manner, looks about. The direction in which the self looks is not the self. In dreams the self looks elsewhere, and the “I” is a conscious “I”, and the working ability is tremendous. The inner self perceives realities that it observes in many directions, being free from the intense focus within limited directions of camouflage existence.

(Jane well remembers the evening when she first consciously conceived Idea Construction, and so do I. Checking her manuscripts yields the date of September 10,1963, as when she made her first notes. I remember walking out to the living room where she writes her poetry, having finished my own work in my studio in the back of the apartment at about 9 PM; Jane’s first words were “Boy, have I got a great idea,” or to that effect. She then told me about idea construction, which I didn’t go for very much. Checking with her while writing this up, she said that she never did do any poetry that night; the idea came to her as she sat down to write poetry after supper, and she spent the evening on it.

(Usually I would be willing to continue in such instances, but seldom do because it keeps Jane working longer.)