“Seth material” search engine (Jane Roberts)

Distortion is not falsehood. It is merely an interpretation of reality, colored or seen through a state of limited perception. I wish to make this most clear. I do intend to go into this matter thoroughly, since it involves various stages of consciousness through which we must journey.

He was a personality from my entity, entirely independent from me and from my control, as I have explained that such personalities are. Ruburt’s abilities were only beginning to show themselves, and had what we may refer to as a low-range frequency. There was an affinity to begin with, but Ruburt simply could not reach far enough, or within and through the inner senses enough, to contact me directly; and there are what you may call for simplicity’s sake, conventions of conduct which I would not break.

I will endeavor, because of your reactions, not to discuss aspects of your practical existence, though you should be told that regardless such discussions are to your benefit. Nevertheless I will defer to what I believe is your wish in this matter. I do not have to defer gracefully, however.

–that I knew what I was doing when I abruptly and rather strongly, I admit, suggested that Ruburt leave the gallery, two full days before he was given his precious assistant directorship.

He tried to scream, could not for a frozen moment, then he screamed and ran. The door represented what seemed to be a new opportunity. The figure inside represented the actuality; that is, what seemed to be an opportunity would instead end up as a dead end, a threatening and stagnant position. The male figure represented the director, who offered the new position. The interval during which Ruburt could not scream represented the frozen interval of indecision, in which he could not act.