“Seth material” search engine (Jane Roberts)

I am thinking of the long terms, and many subjects shall be covered throughout the years, with your cooperation. Now Ruburt, again, suspects strongly that my remark concerning my hope that this material be read throughout the world is the result of some inhibited egomania on his part. This is the result of your joint interpretation. I realize that the material is no new bible, believe me. It does, however, represent facts that are not generally known, and that should be communicated, regardless of their source. I see nothing grossly egocentric in this remark, and if you do not consider the material valid, then why spend so much time with it?

This was the reason for the rather abrupt switch from the Frank Watts identity to my own. This is why I did not give my name to the initial endeavors, so that I could cast them adrift. Nevertheless, they represented a necessary beginning in these endeavors, and a beginning for which no apology is needed on your part or on mine.

He tried to scream, could not for a frozen moment, then he screamed and ran. The door represented what seemed to be a new opportunity. The figure inside represented the actuality; that is, what seemed to be an opportunity would instead end up as a dead end, a threatening and stagnant position. The male figure represented the director, who offered the new position. The interval during which Ruburt could not scream represented the frozen interval of indecision, in which he could not act.

The final culmination of the dream, when he did scream and run away, represented his subconscious giving him its solution. The position was threatening because it represented a possible dilution of his energies from his main objective of writing, into a superficial ego satisfaction, which would have left him basically not only unsatisfied but personally betrayed.