his

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TES2 Session 85 September 7, 1964 13/65 (20%) Watts Borst Frank gallery directorship
– The Early Sessions: Book 2 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 85 September 7, 1964 9 PM Monday as Scheduled

[... 12 paragraphs ...]

His personal subconscious, to my relief and I hope to yours, takes care of itself quite adequately through the sublimating fabrications of fantasy into creative prose and poetry, in which I am in no way involved. I make no attempt, for example, to inspire Ruburt in his own creative work. However if he did not have such an outlet, and if you did not have such an outlet in your own work, then indeed we would have had much more trouble, because this layer of personal subconscious would then be not merely a receptive channel but one that also radioed its own noisy and demanding stations.

[... 1 paragraph ...]

I realize and understand that both of you rather suspect personal material when I give it. Even Ruburt believes it most possible that such material is somehow the result of his own personal subconscious conniving. Such is not the case.

[... 2 paragraphs ...]

I am thinking of the long terms, and many subjects shall be covered throughout the years, with your cooperation. Now Ruburt, again, suspects strongly that my remark concerning my hope that this material be read throughout the world is the result of some inhibited egomania on his part. This is the result of your joint interpretation. I realize that the material is no new bible, believe me. It does, however, represent facts that are not generally known, and that should be communicated, regardless of their source. I see nothing grossly egocentric in this remark, and if you do not consider the material valid, then why spend so much time with it?

My personality may indeed at times show that I am somewhat of an impatient man, who boxes his pupils’ ears, symbolically of course, but I have never made any pretense to be other than I am.

[... 6 paragraphs ...]

(Jane had suspected the above would be Seth’s answer, and had told me so over the weekend. This means that Seth first actually announced his presence, by name, on page 23 of the material and during the 4th session. However, the character of the answers we had been receiving for some little while before this point had been reached, had changed from the type of answer Frank Watts had been giving; I recall that even then we had wondered whether some other entity than Frank Watts had become involved.

(On the other hand, we did not doubt that some kind of a connection with Frank Watts had been established first. We just thought it garbled. Jane’s co-worker at the gallery, Mrs. Borst, who is now retired, had stated definitely that she had known a Frank Watts who had died in the 1940’s, and had also known his sister Treva.)

[... 3 paragraphs ...]

Frank Watts was closer, and acted as an unconscious relay station on the one hand, while on the other hand his unconscious gave consent. The material which came through was extremely garbled, some distortions resulting from Ruburt’s inexperience, and some simply in translation.

[... 9 paragraphs ...]

–that I knew what I was doing when I abruptly and rather strongly, I admit, suggested that Ruburt leave the gallery, two full days before he was given his precious assistant directorship.

You both suspected all sorts of tricky subconscious motives on Ruburt’s part. The fact is, had he followed my suggestion then, affairs for him would have been much simpler. As it is, on his own with your help, because of quite practical events, he has chosen to leave, after having accepted the assistant directorship. Had he taken my suggestion when I gave it, affairs would have gone smoother. As it is there will be misunderstandings that could have been avoided.

Now. He blocked some of that material. However the urgency was apparent; since it was given in a sudden unscheduled session that much came through. I knew he would leave in any case. I wanted him to leave before he was offered the position. It may not, the position may not really mean much to him, but its acceptance by him was taken as a sign of his willingness to accept conditions at the gallery, and his resignation will not be as understandable to those there as it would have been earlier.

[... 8 paragraphs ...]

The final culmination of the dream, when he did scream and run away, represented his subconscious giving him its solution. The position was threatening because it represented a possible dilution of his energies from his main objective of writing, into a superficial ego satisfaction, which would have left him basically not only unsatisfied but personally betrayed.

He would, believe it or not, have ended up with a higher title within five years, though not of director, and it would have so soothed his inner ego that it would have settled for this. But his inner drives would never have let him settle. However, I wanted him to make the adjustments necessary to maintain balance and outward cordiality with the director, to aid his own understanding, and so that his resignation, which I hopefully foresaw, would be relatively painless.

His dream had nothing to do with me. This can be considered an incident, that is the unscheduled session and ensuing events, that should show you that our personal material does have validity.

[... 10 paragraphs ...]

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