“Seth material” search engine (Jane Roberts)

Frank Watts was closer, and acted as an unconscious relay station on the one hand, while on the other hand his unconscious gave consent. The material which came through was extremely garbled, some distortions resulting from Ruburt’s inexperience, and some simply in translation.

Such an unscheduled session with urgent overtones should at least be studied thoroughly. I am not really suggesting that you act on blind faith, but such a session is a symptom of something in the wind that should be watched, even if Ruburt blocks the full details.

He tried to scream, could not for a frozen moment, then he screamed and ran. The door represented what seemed to be a new opportunity. The figure inside represented the actuality; that is, what seemed to be an opportunity would instead end up as a dead end, a threatening and stagnant position. The male figure represented the director, who offered the new position. The interval during which Ruburt could not scream represented the frozen interval of indecision, in which he could not act.

If you should not feel like acting immediately, neither should you take it for granted that there is not a definite need to act. It is because we are only beginning, and because Ruburt often blocks me, that my suggestions may seem so impractical. It is the concrete material he fears.