“Seth material” search engine (Jane Roberts)

The chair is being fully constructed simultaneously and instantaneously. Now take the blade of grass, and the seed. Energy and the consciousness within continually constructs itself into completely new constructions; because of the various speeds I have spoken of, and because you do not perceive the full reality, you do not notice the simultaneous constructions, and think them continuous, rather than separate and ever new.

When energy in its performance brings about a complete change of form, as it does when a seed seems to grow into a blade of grass, what you have here is merely such a complete difference between the gradations which you are able to perceive, that finally you are forced to admit that the thing you take to be continuous matter has somehow or other become something entirely different.

You know that you cannot perceive with the outer senses the pulsations of energy as they form this chair; because you cannot perceive these pulsations, the chair appears durable, a part of your time and space, and continuous in time and space.

Ruburt I believe once wrote a poem in which he stated, much more poetically indeed, that pain was deeper than a lake or a river; and this type of depth is that to which I refer here. There are perspectives of which you know relatively little, and they in turn are frameworks, forming physical constructions, actual physical constructions, which you do not perceive.

There are multitudinous physical constructions in the space between these two chairs, of which you are not aware, because you cannot perceive the perspective in which they occur.