“Seth material” search engine (Jane Roberts)

(Thinking this point over after Monday’s session, I did not recall Willy making any fuss, except for the one time detailed on page 211, during the session.)

I have also said that all constructions are composed of atoms and molecules, but their action may be at such different speeds that you are not aware of them on the physical plane. I am leading up to a rather important point that will take a good deal of explaining.

Ruburt has passed the crisis point as far as his own sphere at the gallery is concerned, for which I am thankful certainly.

I am now bringing you to the point of primary and secondary constructions. And with this you may take your break.

(Break at 10:00. Jane was dissociated as usual. She said she could feel Seth leading up to this point through the last session. She also still felt it would be a short session. My writing hand felt no fatigue.

(During this break Jane and I checked one point we had thought of since the last session, and this was the amount of light available in the room during the time Bill Macdonnel and I had noted the change in Jane’s features as she stood in the bathroom doorway.

(I now had Jane take the same spot again. See the floor plan on page 223. I soon discovered that even the pole lamp I always have on furnished enough light to see Jane’s features clearly. Even though this light is on the other side of the bath door, due to reflection from the white walls of the room there was plenty of light. With the light on the room divider on, or the closet light on, the illumination was enhanced. Jane said that after careful thought she felt the closet light was also on during the break at 9:56. I had neglected to check this point at the time of the session.

Now this is the point at which I was leading. And though I know I shall disappoint you, I have decided to close the session.

I will let you take your time in forming more questions, if you prefer. Nevertheless I will add that the low point is now past, and even expectation rises again, as it must. You could have begun serious painting in New York, and if you had done so, you would have also continued and done well in commercial work.