“Seth material” search engine (Jane Roberts)

There are many things of which I would like to speak. I have more to discuss on the nature of matter, and some remarks, at least, pertaining to the house; and Ruburt’s position at the gallery, if he decides to let me through.

Without such cooperation no physical construction would be possible. I will, if I may, use our glass again to make another point clear.

I have said that if five people seemed to view this glass, then what you would have in actuality would be five individual physical glasses. As you and Ruburt and Mark view this glass, each of you see a different glass.

Neither of you can see the glass that the others see. We spoke of this briefly. I would like to go into more detail. The three of you each create your own glass. You each create your own glass in your own personal perspective. Therefore, here you have three different glasses, but each one exists in a different perspective, in an entirely different space continuum.

(From my writing table, to my right of the entrance to our bath, I could look easily at Bill as he sat in our Kennedy rocker, facing the bath entrance itself from the other side of the same door. As Jane continued her delivery I noticed that Bill was staring quite consistently into the open bath doorway; yet I did not pay great attention to this, taking it somewhat for granted that Seth would use Bill/Mark only as a talking point relating to whatever subject he discussed.)

Incidentally, I would like particular attention for the session, as the material will be of particular value.

(Jane began dictating again in the same strong and very deep voice. Bill continued working on his sketch, saying he was not satisfied with it and would try another. Resume at 9:32.)

First of all, I would like you to notice that Ruburt’s voice is somewhat lower; and then with your permission I will continue.

If another person entered the room, there would still be another physical Mark.

It is true I am in some ways no beauty on your terms, and yet you will attest I am not altogether ugly. I will let you take your break. And I wish to thank Mark. When I said that Mark would join me in a demonstration, I meant that Mark would join me in a demonstration.

(Bill told Jane and me that the “feeling” of the apparition’s form lingered in the doorway even during break, though in a weaker state. He said that the image would at intervals become quite a bit stronger, so that he could then glimpse details. His drawings of Seth revealed a set of rather chiseled features, with the obvious difference of a very large and high cranium. He said he felt the cranium was gigantic.

I would not be surprised if you wondered about the part that suggestion might play in such a demonstration. I spoke of a demonstration without mentioning what sort of a demonstration. Before the fact, I mentioned no apparitions.

I would also suggest before the session ends that you ask Mark once more what he saw, for the record, as well as including the excellent representation of me in the record. I also suggest that you notice the change once again in Ruburt’s voice; and if I perhaps sound severe, it is only the result of the transition. I can do best along this line in the presence of particular individuals who cooperate with me in the effort.

If you will bear with me I will continue briefly without stopping for your break this moment, since Ruburt is also cooperating with me so well. It would be best if we did not pause for a regular time.

He is, in any case, not in danger of a more serious attack than the first one. Other attacks, if he allows them to continue, would not be as difficult, but they would be unnecessary.

There is much that I would still like to say tonight on matter, but it does not matter if it waits longer. I bid you all a most fond good evening, and thank you for your cooperation and interest.

(My hand was somewhat tired from writing, but not in bad shape. Jane, Bill and I discussed an experiment the three of us could try while Bill was on his trip. He planned to go to Cape Cod; as soon as he was settled for his projected stay of several weeks, Bill was to write us. He would give us certain times during evening hours when the three of us would try to contact each other telepathically, and make notes of whatever impressions we might receive.

(We were discussing the evening’s material when I happened to remark that it seemed as though a performer on television, for example, when viewed by others, might be created by millions of viewers, many of whom would be independent of each other as far as our conception of distance is concerned; yet all the images so created would overlap enough to be identifiable as the one performer.

That was my allusion to the many Marks, earlier in the session. I had intended to show you the way in which these Marks would be multiplied, and the manner in which physical worlds multiply indefinitely, and seemingly without end.