“Seth material” search engine (Jane Roberts)

(Bill Macdonnel and I then noticed at the same time that Jane’s animated features were changing. As she spoke to us, her jaw became more square in outline against her long black hair; her nose enlarged, her mouth acquired heavier and wider lips as they moved with her speech, and her neck thickened. The whole cast of feature became heavier and male. Neither Bill or myself noted any change in her eyes or forehead.

(I then asked Jane to move a few inches forward. She did, and the effect diminished then disappeared. For me, the change in feature appeared to take place on a plane an inch or so in front of Jane’s actual physical features. This new set of features might have been suspended on a clear screen of some kind; and as I watched them, at the same time I saw or sensed behind them or through them Jane’s real features as I knew them. Bill Macdonnel did not dispute my interpretation of the effect, although I have the feeling he did not see the effect just that way.

(Bill told Jane and me that the “feeling” of the apparition’s form lingered in the doorway even during break, though in a weaker state. He said that the image would at intervals become quite a bit stronger, so that he could then glimpse details. His drawings of Seth revealed a set of rather chiseled features, with the obvious difference of a very large and high cranium. He said he felt the cranium was gigantic.

I only want to add a few simple explanations here. There definitely was a change in Ruburt’s features. I will go into the reasons behind this in another session.

The demonstration was indeed a valid one. I will not keep you longer. I did want to set the record straight, concerning the definite change in Ruburt’s features; and as you may have supposed, I was indeed listening in at your little discussion. Such tests as you have in mind during Mark’s journey should prove most advantageous, if carried through in the correct manner and under good circumstances.