“Seth material” search engine (Jane Roberts)

(From my writing table, to my right of the entrance to our bath, I could look easily at Bill as he sat in our Kennedy rocker, facing the bath entrance itself from the other side of the same door. As Jane continued her delivery I noticed that Bill was staring quite consistently into the open bath doorway; yet I did not pay great attention to this, taking it somewhat for granted that Seth would use Bill/Mark only as a talking point relating to whatever subject he discussed.)

(As soon as break arrived, Bill announced that he had seen an image in the doorway of the bath; it was this that had drawn his attention as Jane dictated. Bill asked for a sheet of paper and immediately set to work on a sketch of what he had seen. He is an artist and schoolteacher.

(Jane and I of course looked into the doorway but saw nothing. Bill has seen many images and apparitions during his life, and Seth has in past sessions discussed some of them, and their origin, briefly; so Jane and I were not surprised when Bill said he had another sighting.

(First Jane pointed at Bill as he sat in the Kennedy rocker, working on his sketch of the apparition; then she pointed at me. Bill in the meantime kept staring into the open bath doorway, and as before I could see nothing from my position at the table.)

His span of attention in one respect is short. As far as his psychic energy is concerned he is very gifted. I did, indeed, stand momentarily in the doorway; though if I may say so—

(Jane handed the sketch back to Bill, who continued to stare into the dark bath doorway.)

The image in the doorway is indeed my own, though there is bound to be a distortion in Mark’s perception of me. It is through the inner senses that he perceives me, and this data he then attempts to transform into information that can be perceived by the outer senses.

(Bill Macdonnel said that the dark bath doorway turned into a foggy white; he then saw the form of Seth’s apparition stand out against this lighter background. The form was mainly a silhouette, he said, without much detail; yet during the first monologue he obtained a strong look or glimpse of the face. The effect was rather like that of a reversed negative. Bill said the face of the apparition was about six feet above floor level.

(Jane by now felt very good, fully recovered from her below-par feeling preceding the session. Clowning around, she moved into the doorway, into the exact spot in which, Bill said, Seth’s apparition was appearing. At this time, this moment, Bill said he could not see the image. I was standing beside the rocker Bill occupied, and both of us were watching Jane as she stood smiling and laughing in the bath doorway.

(Bill told Jane and me that the “feeling” of the apparition’s form lingered in the doorway even during break, though in a weaker state. He said that the image would at intervals become quite a bit stronger, so that he could then glimpse details. His drawings of Seth revealed a set of rather chiseled features, with the obvious difference of a very large and high cranium. He said he felt the cranium was gigantic.

There is no more truth, and no more falsehood, in saying that my appearance in the doorway was caused by suggestion, than to say that this room and everything within it is caused by suggestion.

(Bill Macdonnel was again staring into the doorway to the bath, making additions to his second drawing of Seth’s apparition.)

(Bill Macdonnel also stated that in his opinion Jane’s voice was at least an octave lower than its usual range. During the last monologue he stated he had seen nothing additional relating to the image in the doorway, and that he was not now seeing it.