“Seth material” search engine (Jane Roberts)

(Time may show that this session is one of the most significant to date, as far as demonstrations of the authenticity of the Seth Material are concerned. What I have recorded here is done with the utmost effort towards objectivity. Jane, Bill Macdonnel and I agree as to the contents, and our three viewpoints are herein presented. It might be added that Jane and I have no set opinions concerning the Seth Material. We are engaged in it and with it, and we record what we learn. We do not feel that at this stage any other opinion or attitude is needed. We let the material speak for itself.

(Bill Macdonnel arrived at 8:30 to be a witness. Our cat Willy was quiet for a change as session time approached. Jane also felt nervous. She began dictating on time, in a voice a little deeper and stronger than usual. Her pacing was average, her eyes darkened as usual.)

(Bill Macdonnel said that the dark bath doorway turned into a foggy white; he then saw the form of Seth’s apparition stand out against this lighter background. The form was mainly a silhouette, he said, without much detail; yet during the first monologue he obtained a strong look or glimpse of the face. The effect was rather like that of a reversed negative. Bill said the face of the apparition was about six feet above floor level.

(Bill Macdonnel and I then noticed at the same time that Jane’s animated features were changing. As she spoke to us, her jaw became more square in outline against her long black hair; her nose enlarged, her mouth acquired heavier and wider lips as they moved with her speech, and her neck thickened. The whole cast of feature became heavier and male. Neither Bill or myself noted any change in her eyes or forehead.

(I then asked Jane to move a few inches forward. She did, and the effect diminished then disappeared. For me, the change in feature appeared to take place on a plane an inch or so in front of Jane’s actual physical features. This new set of features might have been suspended on a clear screen of some kind; and as I watched them, at the same time I saw or sensed behind them or through them Jane’s real features as I knew them. Bill Macdonnel did not dispute my interpretation of the effect, although I have the feeling he did not see the effect just that way.

(Bill Macdonnel was again staring into the doorway to the bath, making additions to his second drawing of Seth’s apparition.)

(Bill Macdonnel also stated that in his opinion Jane’s voice was at least an octave lower than its usual range. During the last monologue he stated he had seen nothing additional relating to the image in the doorway, and that he was not now seeing it.

(This reproduction, combining the two drawings Bill MacDonnel made of the apparition he saw in the 68th Session, was published in 1970 by Prentice-Hall, Inc., in Jane’s The Seth Material. Bill’s first drawing is the smaller of the two.)