1 result for (book:tes2 AND session:68 AND stemmed:do)
[... 1 paragraph ...]
(Time may show that this session is one of the most significant to date, as far as demonstrations of the authenticity of the Seth Material are concerned. What I have recorded here is done with the utmost effort towards objectivity. Jane, Bill Macdonnel and I agree as to the contents, and our three viewpoints are herein presented. It might be added that Jane and I have no set opinions concerning the Seth Material. We are engaged in it and with it, and we record what we learn. We do not feel that at this stage any other opinion or attitude is needed. We let the material speak for itself.
[... 16 paragraphs ...]
Now Mark, you cannot see Joseph’s glass, nor can he see your glass. This can be proven mathematically, and scientists are already working with the problem, though they do not understand the principles behind it.
[... 19 paragraphs ...]
While Mark creates his own image, you seem to see his image, but you do not see it. At this particular time there are three entirely different Marks in this room, although I use the term “this room” very loosely.
[... 28 paragraphs ...]
(I will have photocopies of the two drawings made for insertion into the carbon copies of this record. My personal feeling is that Seth’s enormous cranium in the drawings is a symbolic one—perhaps one pertaining to Bill’s feeling that Seth possesses greater or different knowledge than we do.
[... 14 paragraphs ...]
Your emotional feelings are, as you know, the inner senses as they appear close to the physical plane. These are the directives. You form in your own personal perspective the data that exists within the inner self, but you do this on an individual basis in line with your own expectations, suggestions and attitudes.
[... 1 paragraph ...]
I would also suggest before the session ends that you ask Mark once more what he saw, for the record, as well as including the excellent representation of me in the record. I also suggest that you notice the change once again in Ruburt’s voice; and if I perhaps sound severe, it is only the result of the transition. I can do best along this line in the presence of particular individuals who cooperate with me in the effort.
[... 26 paragraphs ...]
There will be no long period when he is not employed. I have been doing so well this evening; and I suggest that you notice that Ruburt’s voice is neither dry nor hoarse.
[... 4 paragraphs ...]
I do not like this sort of message, but you did this, and I owe you what help I can give.
[... 37 paragraphs ...]
—he pushes me away. He is a stubborn lunkhead half of the time, and a stubborn donkeyhead the other half. All in all, he will do, but it shows what I must put up with.
[... 2 paragraphs ...]
I do see in that large white room some occurrences on our party night, and I shall have quite a time watching your expressions. I might even greet you at what Ruburt calls your large French doors. That is an excellent idea.
[... 9 paragraphs ...]
I see a rowboat with a symbol of some sort on it. I do not particularly see any women. That may be because my interests are somewhat different now, though this could be misleading.
[... 9 paragraphs ...]