1 result for (book:tes2 AND session:67 AND stemmed:would)

TES2 Session 67 July 1, 1964 11/268 (4%) Roberts Marshall Louisiana Tom gallery
– The Early Sessions: Book 2 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 67 July 1, 1964 9 PM Wednesday as Scheduled

[... 8 paragraphs ...]

There is not much, therefore, that I can say. But you have both progressed enough in your understanding that the situation should pass without too much difficulty. I would certainly say more if it were possible, but outside of knocking Ruburt over the head, or putting him in a deep trance, there is really little I can say.

[... 19 paragraphs ...]

(It will be remembered that Seth stated an art gallery experience was in the cards for Jane many sessions ago—back somewhere in the beginning sessions. At the time Seth also said that had we settled in Miami, Florida, as we considered doing a few years ago, Jane would have worked in a gallery there. He gave some street locations with this information, but we did not try to check it out.)

An art gallery did not have to be the answer, of course. Some like institution would have served as well. Ruburt did have a larger measure of independence at the gallery until very recently, and it is this more than anything which causes the difficulty.

[... 2 paragraphs ...]

(Jane now paused in her delivery, which had become progressively slower, and I wondered if this would be all she would allow to come through on the subject.)

[... 9 paragraphs ...]

I know it is almost time for your break. However, if you feel up to scribbling for me for a few more moments, I should like to add some more while Ruburt is letting me through, as I am not certain whether he would block me after the break or not.

[... 4 paragraphs ...]

The one exception here would be taking down verbatim the words of someone who Ruburt was convinced had superior creative ability or knowledge.

[... 7 paragraphs ...]

He would, perhaps, stick to a respect for small details if they were part of a creative concept, even perhaps the creative concept of another, as details are extremely respected by him in his poetry, where he transforms them into creative concept.

[... 6 paragraphs ...]

As far as blocking is concerned, understand that this is a nearly automatic reaction, built up through the years. And if your positions were reversed, Joseph, you would be blocking me more. I suggest your break.

[... 69 paragraphs ...]

(As Tom Roberts began to spell the name out, Jane and I both knew in advance what it would be.)

[... 45 paragraphs ...]

(I was groping on the spur of the moment. What I meant of course was that if Thomas Voghler and Tom Roberts were friends, and if Seth now knew Tom Roberts, then Seth would also know Thomas Voghler, or at least of him.)

[... 7 paragraphs ...]

(Jane then tried the board alone; on it she had raised Thomas Voghler by herself, last week. Tonight it would not work at all for her. As a last resort we once again tried the board together; and almost immediately it began to respond. Resume at 11:48.)

[... 80 paragraphs ...]

Similar sessions

TES2 Session 71 July 15, 1964 grass Hubbell seed Ted matter
WTH Part One: Chapter 9: June 1, 1984 panel Robert Oil Conz Sr
WTH Part One: Chapter 1: January 11, 1984 Sasquatch Ph.D Steiner leg Carol
UR1 Preface by Seth preface Roberts unknown n.y metaphysics