“Seth material” search engine (Jane Roberts)

(Jane began dictating in a normal voice and at a normal rate, but her speed of delivery soon began to slow down, as will be noted, until it became almost painfully slow. The reasons for this will be made clear as the session unfolds. But the amount of material obtained will alone show that Jane spoke very slowly for much of the time. Her pacing remained as usual. Her voice did not change character through the session to speak of, nor did either of us display any hand phenomena.)

I mentioned earlier that these sessions involved a lifetime’s work, as long of course as you are both willing. The times of sessions may change, adjustments being made for various reasons. You will also receive help sometimes where you least expect it. The work will be published, and Ruburt will also use it as a basis for his own writings.

This may seem like a sideline but it is not. In the painting of a picture, you are actually forming new patterns through which energy can flow into material form. There are reasons, which I will discuss later, why the painting, that is the physical pattern of a painting, may seem to, and often does, exist longer than the man who paints it.

I am using up many of Ruburt’s resources, I am afraid. Nevertheless I am doing so with good reason. This material should be as precisely put as possible, so that no misunderstandings can arise.

I really do regret saying good evening. I am particularly close to you both this evening. When possible I will endeavor to close our sessions before 11:30, for practical reasons, so that while you are learning to draw upon additional energy you will not be tired the following day. A time will come when it will not bother you in any case.