1 result for (book:tes2 AND session:49 AND stemmed:work)
[... 50 paragraphs ...]
In your dreams, when the conscious ego is stilled, you often and continually work this transformation, and we have gone into this problem. What we are concerned with is this reconstruction, but this reconstruction in durable enough terms so that communication can take place.
[... 1 paragraph ...]
In the dream world, you do and perform more than you realize. Secondary personality problems that cannot be taken up by the personality in regular life, for various reasons, are worked out as you know. What you do not realize, however, is that these images that you all create, have an existence independent of your knowledge, once you have created them.
[... 3 paragraphs ...]
Here you can get the feel of them so that you know what you are working with. You are always and constantly in the process of transforming energy from the inner senses into physical idea constructions. I want you to become acquainted with the process by which you accomplish this unknowingly, so that you can then perform the same feats with your own awareness.
[... 4 paragraphs ...]
You do transform ideas into image patterns, but they do not have durability or continuity on your plane. They do however, possess durability and continuity on another plane with which you are subconsciously familiar. These images are as independent of your conscious control as the inner workings of your own physical body are beyond your conscious control.
These images continue to work out problems that you have set for them, in the same manner that you work out problems as your present personality in one incarnation after another. These dream images also have their own free will, within limits. I have explained the reality behind all art. I have explained that the energy contained therein is regenerating, and although held within certain limits is constantly active. The same applies to the dream world, and in our experiments the same will also apply.
[... 5 paragraphs ...]
They do not realize that beyond that distortion lies another, and it is within that you must travel, and it is with inner tools that you must work. I will have more to say on this at a later date.
[... 2 paragraphs ...]
It is much better if you proceed surely, fairly confidently. But excess enthusiasm can lead to fanaticism, and this at all costs must be avoided. The two witnesses this evening have worked out very well. It is possible that the wife in question may work out well also, but the approach to her should not be overly impassioned, as this would be a mistake.
[... 4 paragraphs ...]
There is no easy way that is effective in the long run, and if I seem heavy-handed in this respect, it is because I would rather have slow and certain results than flashy displays that cannot be maintained. This is a lifetime project, and I mean Ruburt and Joseph are getting their effects now through previous hard work and discipline. I will simply not have Ruburt levitate six feet into the air, nor give any clairvoyant displays, unless there is a deep purpose served. Our guest should not be impatient. Nothing will be gained that way.
Those who prove interested in these sessions, and who become part of a group, will be sustained; but always I will work with you in the development of your inner senses, without the display of fireworks for display’s sake alone.
[... 4 paragraphs ...]
A means will be worked out in this respect.
[... 7 paragraphs ...]
(Since I work at Artistic Card Co. in the mornings while Jane writes at home for the same period, she has taken up the habit of experimenting with psychological time at about 11:30 AM, after her stint at the typewriter, and just before she gets lunch.
[... 8 paragraphs ...]
(Also I wondered about the advisability of going further when no one was around. Rob was at work. I was tempted to go ahead anyhow, but instead I counted to three and came out. I felt terrific, refreshed, dazzled. I wondered, because of the intensity of the feeling, if this is what is meant by ecstasy.)