1 result for (book:tes2 AND session:47 AND stemmed:here)

TES2 Session 47 April 24, 1964 13/76 (17%) Roarck Jim esthetic a.s.p.r office
– The Early Sessions: Book 2 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 47 April 24, 1964 10:25 PM Friday Unscheduled

[... 8 paragraphs ...]

I will speak briefly so that you will know that I am here. I have been listening to your discussions; before we are through, we will gather together a circle of acquaintances, all of whom we have known before.

It will take three years at least before they will all be drawn here, but then we will be able to really do something, and our work will show unheard-of results.

[... 5 paragraphs ...]

This session is outside of our regular sessions because I have known that Roarck would finally be drawn here, and it is for his benefit that I have called the session. There are others who will come. Do not, however, consider that you yourselves have truth in the palm of your hands.

[... 3 paragraphs ...]

There must be no rigidity here. This is a living, vital and valid experiment. I suggest that all you take a brief break, and if you are in accord then I will continue for a short time. However, I want to make it plain that we are certainly not setting up a new dogma. By all means take your break.

[... 12 paragraphs ...]

I am not going to hold a long session. This is merely in the lines of an introduction, and may I here welcome Roarck to the session. There will be more to come, and many will seem as accidental as Roarck’s happening into your household.

[... 5 paragraphs ...]

Since this is an unscheduled session I will not keep you, but I am extremely pleased, both because Mark finally made it to a session the other night, finally after knowing about the sessions for months, and also that Roarck has finally been drawn here. As a footnote, Roarck, you came too early the first time. I was not ready yet.

[... 4 paragraphs ...]

Your pussycat knew, or sensed, that I was here. You sensed it, hence the swelling of your hands, which is only a symptom of the workings of one particular inner sense. Roarck knew it when he saw your picture.

[... 6 paragraphs ...]

(Here, Jane laughed and pointed repeatedly at Jim Beckett. At the same time, I felt my familiar sensation, the thrilling tingling feeling of sound, begin to build up in my legs. It never became prominent, yet lingered for a few minutes.)

[... 1 paragraph ...]

Here we have Roarck’s overall entity, laughing with mirth but also with compassion, for while the entity enjoys all that is, the personalities have often turned their backs upon very much, in order to pursue esthetic purpose. At another time we will go into this more deeply, but Roarck recognized the picture, and subconsciously saw himself. In many ways he and Mark have opposing personalities, and yet basically the entities are similar to some startling degree.

There is much more to be said here. Even now until the almost immediate present, Roarck has followed in this life his esthetic leaning. He chose to be born under rather poor circumstances, and until the near present made little real or rather effective attempts, but only halfhearted attempts, to seek better conditions for his present personality. He was not an only child, and yet he felt himself to be an only child.

[... 2 paragraphs ...]

The desire for discovery, and the ability to create are strong in all of you, and also in others who will come here. In various ways you have struggled with psychic realities; and Mark and Roarck are also involved with practical considerations involving women, as earlier Ruburt was involved with her Walter, and you, Joseph, were also involved.

[... 5 paragraphs ...]

(This material is included here because it is dealt with at some length in the following, 48th session.

[... 9 paragraphs ...]

(I did think to myself: “Well now, she’s having trouble with that window, but I’ll open it for her. Not only that, I’ll do it while I’m standing right here—by mental power. She’ll be surprised.” My actual thoughts would closely parallel this dialogue.

[... 2 paragraphs ...]

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