1 result for (book:tes2 AND session:46 AND stemmed:what AND stemmed:realiti)
[... 11 paragraphs ...]
(“Does Frank Watts know yet about what is happening to Miss Callahan now?”)
[... 1 paragraph ...]
Our witness, our Mark, has had many experiences, as far as what you call apparitions are concerned, and in his case these have been of various types and he has seen them for various reasons.
[... 1 paragraph ...]
That is, because he “saw” (in quotes) a partial apparition, this does not mean that the so-called apparition was in itself not whole, he only perceived part. His abilities are natively strong in this respect. What is needed is additional inner confidence, and even the development of inner discipline.
The discipline, for Mark or for anyone else, is difficult to achieve, in that what is necessary is a passive discipline rather than an aggressive discipline. The passive discipline allows for a fuller perception. It also helps prevent the conscious ego from snapping too quickly back, as is what happens often in Mark’s case.
[... 8 paragraphs ...]
In the midwest in the 1840’s, in what is now Iowa, in a town which is now one of the major cities. He had three children.
His present mother was a wife to him when he was overly aggressive, and he chose to be born as her son in this existence in order to pay an old debt. He was unkind to her when she was a wife to him, and here we run into another case where the subconscious knows what it knows.
[... 11 paragraphs ...]
(Break at 9:39. Jane was fairly well dissociated. Bill had noticed that at times he would be quite aware of what Jane was going to say before she gave voice to it.
[... 3 paragraphs ...]
You have more than compensated now for past errors, not only in this life but in the previous life. Your painting is almost a direct result of a desire for creativity, to balance what was once your destructive personality.
[... 25 paragraphs ...]
—she was a numbskull, hardly worth your notice, and he came rushing in, to find what? Not his contemporary, your son, but a barrel-chested, white-haired and lecherous, lustful old geezer—
[... 11 paragraphs ...]
In art, you manage sometimes to put into a framework of space something which usually has no existence in space. The crucifixion has no existence in space. It has no existence basically in time, in that it did not occur to any particular person, per se, at any particular time per se. Nevertheless it is a reality on your plane, and it exists within it.
[... 27 paragraphs ...]
(The first vision floated into my mind as I lay in a very pleasant drowsy state, not thinking in particular of anything. It was in full color; and in spite of its clarity and duration, was gone before I fully realized what had happened.
[... 1 paragraph ...]
(The nondescript little dog acted bewildered. I have a memory of it finally getting to its feet and scampering away, unhurt. Although this vision was gone before I realized what was happening, I felt that as far as its duration was concerned I had been somewhat successful in maintaining it; by comparison this one lasted much longer than any of my previous visions.
[... 9 paragraphs ...]