“Seth material” search engine (Jane Roberts)

This one, that one, is one of your favorites, and one of Ruburt’s, and for that reason I myself do feel a warmth. I would suggest that Mark also exercise himself in the use of psychological time. He should progress fairly rapidly. His impulsive nature is actually somewhat more restrained in this life than it was in the previously past life. Nevertheless, one of the problems for the personality is still the need for a more disciplined ego.

Three lives ago, Mark was contained in a remarkably cruel and violent nature. He is now extremely kind to make up for past cruelties. In the immediately previous life he was a woman, living in your own west, midwest.

He was erratic. You might say that Mark was too erratic to be erotic. He at that time was fairly wealthy, and gave away much money in a subconscious attempt to make up for the aggressive and cruel male existence just previous. The choice in the past life of a woman’s personality represented a somewhat understandable weakness on his part, and yet it also represented bravery in a sense.

(“Can you tell us just where in the midwest Bill lived in that life?”)

You have more than compensated now for past errors, not only in this life but in the previous life. Your painting is almost a direct result of a desire for creativity, to balance what was once your destructive personality.

The painting has its conception in intuition which you achieved during your past life as a woman. However, discipline now becomes a necessity. The intuitions and the impulse behind your creativity must be disciplined, if the creativity is to come to fruition.

There is quite a fleshy story here, in which Mark was rather directly connected. There are few of your friends and acquaintances in this life with whom you were connected to any strong degree in past lives. Some acquaintances were in your circle in various lives, and merely happened to be born in a like situation to your own because of problems that more or less corresponded to your own.

I will upon another occasion go into his lost town, and some of his other experiences. It makes no difference how inner data is received. It can be as valid in a dream, or even more so, than in waking life. The lost town incident was extremely significant to him, and represented his subconscious projection of a memory from a past life upon the present.

(Both of them were exceptionally clear for me—far clearer for instance, than the vision I had of my brother Dick during his life in England in the 1670’s.