“Seth material” search engine (Jane Roberts)

Art of any kind is extremely important as a way of paying off debts, that is psychological debts. When you were a woman, Mark, and wealthy, you gave away money. Now like Joseph and Ruburt, you give away parts of yourself, fragments of yourself, made more or less into living psychological forms that according to your ability are free from not only time, but free from many of the defects of your own present personality.

Any art form touches the generations. Karma can be worked out in many ways, and here again we return to Mark’s earlier male oriented, aggressive personality. This time, through the creation of beauty in paintings, he more than makes up for past errors; not only because paintings certainly should possess beauty, but because they instill positive creative thoughts in the mind of the beholder.

And within the framework of the crucifixion there are inexhaustible truths still to be explored. Mark’s paintings of the crucifixion, like other such paintings, created a concept form, within which an unexpressable concept is transformed into expressible terms and placed within a spatial framework.

(He was smiling straight at me, a very kind and compassionate smile. His expression was very sympathetic. His lips were wide, indenting deeply at the corners under the cheekbones. The most arresting feature was the eyes. They were sparkling bright, not widely opened, and yet were brimming with tears. There were no tears upon his cheeks. There were also tiny light, or white, crosses centered upon each pupil; these, coupled with the brimming tears and the smile, formed a most striking and unusual effect. The whole manner was compassionate and understanding and sad.